Monday, June 20, 2022

K Britz KIND on Revival Radio June 20, 2022 Last Day of Spring Andrae Carter on RadioWhat "Don't Go Chasing Vanity" / Liberace Reviews


3:01 AM #June 20, 2022 #Monday thanks #SteveGarnett for airing #KIND by @KBRITZofficial @RobFraboni @mysticbowie #joeviglionemedia on Spotify @YouTubeCreators @spotifypodcasts @AriMelber @Lawrence @MSNBC

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10:15 pm #Friday #June 10 2022 3:30 PM Thanks #ClassicOnlyRockRadio @tiorr_2 @DaliaDavisMusic @BirdMancini @lspinna @RadioRaccoon #BostonRockandRollAnthology21 #JoeViglioneMedia

10:04 AM June 10, 2022 #Friday @IPDKg @zionrock #JoeViglioneMedia thank you #RadioWhat airplay for #LevelLevel #TheDemoThatGotTheDealVol5

9:24 AM · Jun 18, 2022 #Saturday Don't Go Chasing Vanity @AndraeCarter @zionrock @rranimaltour #JoeViglioneMedia thank you #RadioWhat

9:13 am June 10, 2022 #Friday @IPDKg @zionrock #JoeViglioneMedia thank you #RadioWhat airplay for #BlessMeJah #TheDemoThatGotTheDealVol5

2:47 PM · Jun 16, 2022 #Thursday @AndraeCarter @zionrock #JoeViglionemedia thanks #SteveGarnett #reggae #worldmusic #dancehall

8:49 AM · #June 16, 2022 #Thursday @mysticbowie @RobFraboni @KBRITZofficial #joeViglioneMedia on Amazon music @amazonmusic @Lawrence 



Songs My Mother Taught Me Review


by Joe Viglione

Liberace utilizes the Antonin Dvorák composition "Songs My Mother Taught Me" as the first track of his album of the same name on the Hamilton label, a Dot Records subsidiary. Holding a picture of his mom on the Baldwin piano -- next to the candelabra, of course -- it's an elegant experience with the pianist seemingly performing solo before arranger/conductor Gordon Robinson's strings come in as if from out of nowhere. Produced by Tom Mack, known for his work on Francis Lai's 1971 hit "Love Story" along with recordings by Henry ManciniLalo Schifrin, and others, the album consists of fine piano playing complemented by Robinson's strings, which make the affair sound at times like a film soundtrack, especially on the traditional "Londonderry Air." The pianist playfully covers Strauss' "Tritsch Tratsch Polka," gives the listener a studied take on Manuel Ponce's "Estrellita," and puts his unique spirit on material by TchaikovskyRubinstein, and Chopin. The studio album has a more serious tone than his live show, the artist in a modest (for him) red jacket on the cover along with that candelabra and family photograph. The traditional "La Paloma" plays like an outtake from Man of la Mancha while the music exudes a classiness latter-day fans of Ferrante & Teicher and Esquivel find so appealing. It's relatively short with 25 minutes and 25 seconds of music (roughly 12 minutes a side), but is still an entertaining mix.

Here's Liberace Review


by Joe Viglione


With one side almost 20 minutes and the other clocking in at 13 and a half, this MCA reissue of Here's Liberace, a concert performance recorded live at the Palladium, is what you expect from the maestro. After a little chatter about his jacket, he tickles the ivories on Gershwin's "Rhapsody in Blue" and "I Got Rhythm." For those who underestimate the pianist -- don't. Liberace was more than running scales and showmanship -- his variations on Kurt Weill and Bertolt Brecht's "Mack the Knife" are tremendous here, mixing the pop song with Strauss, Beethoven, and other masters. His touch on the keys is as elegant as always, taking "Mack the Knife" again and turning it into a rhumba. The accompanying band is understated, the horns and percussion in the background allowing the piano to be the star of the show. There's self-deprecating humor that he's heard all the stories about himself and claims to have started them. That's quickly followed by gay humor preceding the tune "Jalousie," which brings the house down. The Paris medley contains "The Last Time I Saw Paris," "The River Seine," "Autumn Leaves," "The Poor People of Paris," and "Can Can," which are all very entertaining, but it is when he has the audience sing on "You Made Me Love You (I Didn't Want to Do It)" that the listener gets a glimpse of the greatness of pianist/performer Liberace. Clocking in at 33 minutes, the album is short and sweet, but effective.

3:30 PM #June 11, 2022 #Saturday Thanks #ClassicOnlyRockRadio @tiorr_1 @DaliaDavisMusic @BirdMancini @lspinna @RadioRaccoon #BostonRockandRollAnthology21 #JoeViglioneMedia

6:15 AM #June 8, 2022 #Wednesday #MusicSupervisors #SaltWaterSummers Suzy and Jaden love the song #JoeViglioneMedia #host #writer, #producer #director #advocate #JonStewart hear on SPOTIFY @spotifycharts @spotifypodcasts @Spotify @AppleMusic @amazonmusic 

12:56 am #June 4 2022 #Saturday #JoeViglioneMedia thank you THE classic summer song 1976, 2021, 2022 from #CountViglione on @Spotify here: @spotifycharts @spotifypodcasts @Spotify @AppleMusic @amazonmusic #TomCruise #Producer #Film

11:30 PM #May 31, 2022 #Tuesday @robreiner THE song of the sunshine days #SummerSolstice2022 Salt Water Summers on @Spotify Mastered by @robfraboni hear: #JoeViglioneMedia @PeterCalo1 @RobBenson1102 @RobBens19461538 Thanks @tiorr_3

Ten Wheel Drive featuring @Genyaravan "Eye of the Needle" on the SPIN ROOM 9:40 pm #Monday #June20 2022 Last day of Spring #JoeViglioneMedia @TheSpinRoom00 @lspinna @recordmachine @PlasticEp #GoldieandtheGingerbreads

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