1:56 am #July24 2023 The Salt Water Summers on #WBCA @WBCARadio @BirdMancini @DaliaDavisMusic @recordmachine @tdawn on Spinitron https://spinitron.com/WBCA/pl/17658687/Local-Mix-Folk-Country-Bluegrass @spinitron #musicsupervisors @LeightonMedia #CountViglione @robfraboni @gregpaquette5 @Carly501 @PeterCalo1 #joeviglionemedia
#JoeViglioneMedia™ Newsletter Rock and Roll Central™The Newsletter is Edited and Published by Joe Viglione e mail demodeal{@}yahoo.com The Demo That Got The Deal™ Radio Show Music reviews, photos, videos, we are THE music site for Boston and New England Rock and Roll. Read Joe Viglione's decades-long and celebrated History of New England Rock and Roll™ from the dedicated rock journalist. Faithfully we have edited the Club Bohemia newsletter to benefit Boston and New England area artists.
Monday, July 24, 2023
Count Viglione The Salt Water Summers on WBCA July 24 2023 / Bird Mancini Looking for a Song ON SPINITRON! Count Viglione Electric Wish Ultimate Rock Radio WMFO 91.5 FM / Steve Keith WBCN 7/21, WMWM 7/22 Enchanted Glasses
Thursday, July 28, 2022
BTD Song Review: The Salt Water Summers / REVIEW; PAINTING WITH WORDS, JONI MITCHELL
God Bless Craig Moerer, selling my first EP for $65.00 on eBay! Excellent
THE ORIGINAL SALT WATER SUMMERS
Joni Mitchell's exquisite voice and guitar playing are on display in this satisfying hour-and-a-half-plus of the iconic performer directed by Joan Tosoni and filmed in an intimate setting. The dominant instruments are, no surprise, the singer's voice and her guitar, which is heavy with liquid effects. Much effort went into the circular set and the six cameras have unobstructed views with graceful pans and elegant zoom-ins. Mitchell is the set designer and editorial director with her own paintings adding to the decor, positioned on the walls that swing around the set. There's a two-and-a-half minute discussion of the event before actress Rosanna Arquette introduces the star and the festivities begin. A semi-pensive and solo "Big Yellow Taxi" opens the show, Mitchell not worried about being under this stunningly beautiful microscope that is the colorful set and the all-revealing eye of all these cameras. "Just Like This Train" has the singer close to her artwork and strumming the guitar as if with a paint brush, quite possibly an intentional metaphor from the clever singer always exposing her intuition with a bit of flair. She announces the band early on, just prior to "Night Ride Home," and the musicians ease into the program like drawings that quietly and slowly come to life. The pop style is maintained throughout the jazz leanings of this group of performers, "Black Crow," "Amelia," and "Hejira" getting not only the sustained sound of the perfectly fluid ensemble, but complementary camera work which drives around the set and the performers as well as capturing the faces of audience members and Mitchell's moves, all to wonderful effect. The concert is top-notch with material that stretches across her career up to the 1998 release Taming the Tiger, and it features Mitchell telling some stories in between songs; there's a warm rapport with those in attendance which translates well to the viewer. The final song, which appears after the concert on track 19, is a percussive "Dream Land," once covered by Roger McGuinn, with Mitchell and her musicians on couches casually performing as the credits roll. Bonus tracks include a discography and filmography, but it is the main event that will keep your attention. Taped at Warner Brothers Studios in Burbank, CA and produced in association with the Canadian Broadcasting Corporation, this is a very contained production, a high quality presentation put together with the refinement Mitchell fans expect. https://www.allmusic.com/album/release/painting-with-words-and-music-mr0002216653
Monday, July 18, 2022
The Salt Water Summers / Only Rock Radio - Spain / Greg Paquette CBJ Radio / SLE Radio Greg Paquette "Swing" / YFM plays I Wanna Cry TOM MICH
For those purist fans of the early Jefferson Airplane and Jefferson Starship, a song like "We Built This City" took the path the Marty Balin-less group embarked on with "Jane" (a title Balin actually rehearsed with the group prior to his leaving for a solo career) farther into the arena rock wasteland. The four minutes and 29 seconds of "Nothing's Gonna Stop Us Now" were a huge treat on an entirely different level. It's really more a collaboration between producer/arranger Narada Michael Walden and singers Grace Slick and Mickey Thomas than it is a Starship track. Lead guitarist Craig Chaquico is merely a guest star here, for this is a high-tech quagmire of bells, whistles, strings, and Walden's vision, building the melody into a rock-solid stomp, but for Starship, it is its zenith. If the song "Miracles" was Jefferson Starship at its most potent and creative, "Nothing's Gonna Stop Us Now" is selling out, in a good way. With this tune the band evolved into the counterculture Archies, but Slick remains the Queen of Cool, and she adds a dimension of integrity, even bringing the very best performance out of Thomas, who was all things a singer for Jefferson Starship should not have been. Slick and Thomas work in unison here, not the tapestry that was her marriage with Balin's voice on "Miracles" but an effortless combination like the guitars of Keith Richards and Ronnie Wood, a doubling effect which intensifies the sentiment. The song by Albert Hammond and Diane Warren could not be constructed more perfectly or with such refined precision. Walden has to be commended for merging dance-rock with industrial, and for all the contrived elements, anathema to fans of the institution which once crafted "It's No Secret" and "Plastic Fantastic Lover," this platter is itself a fantastic plastic march of triumph and overcoming all obstacles. It's actually a re-working of Balin's "Miracles" theme, an uplifting accomplishment of love conquering all as the "plastic fantastic lover" in the store window comes to life for the lovelorn hero. Theme to the Twentieth Century Fox motion pictures Mannequin and Mannequin II, it's a song so nice the studio had to play it twice, to paraphrase the late Rolling Stones producer Jimmy Miller.
Friday, July 1, 2022
Welcome to July 1 2022 Cannaman on CatorWebRadio Garr Lange / Greg Paquette on Record Machine Show Activate Media 8 pm Friday July 1 2022
"Setting Sun" at 8 PM, "Pick Yourself Up" aat 8:30 pm songs by Greg Paquette on Activate Media
Tuesday, June 28, 2022
K Britz on Steve Garnett's New Music Radio / Dalia Davis on Cator Web Radio / Andrae Carter - Radio What - Don't Go Chasing Vanity / Salt Water Summers Count Viglione Classic Only Rock Radio
Sunday 12:48 AM airplay #June 26 2022 "Don't Go Chasing Vanity" @AndraeCarter @elihu_morris @zionrock @lanlordmusic @lil_hankypanky #JoeViglioneMedia @youtubemusic Song here: https://youtu.be/nc3VLRu2TDM #FilmMusic #MusicSupervisors #WorldMusic #PopMusic @Goldmine_mag Thx RadioWhat
Tuesday, June 21, 2022
Andrae Carter "Don't Go Chasing Vanity" / KIND, K Britz on Revival Radio / Dalia Davis Beatles Bridges / The Salt Water Summers
Spins 11 and 12 on #LonelyOakRadio LonelyOak Radio June 13, 2026, Saturday. Matter Of Time's
Spins 11 and 12 on #LonelyOakRadio LonelyOak Radio June 13, 2026, Saturday. Matter Of Time's songwriter, Didi Stewart wrote me last ni...
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Thursday August 31th End August on a POSITIVE NOTE! https://www.facebook.com/events/1039506089517666/ Positive Negative Man @ Cantab...
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