Monday, October 31, 2022

What About Love? Heart Review by Joe Viglione

What About Love
Heart Song Review by Joe Viglione [-]
Exactly three years after their ninth Top 40 hit appeared on the charts, this gorgeous AOR ballad, "What About Love?", written by Allen/Alton and Vallance, initiated a year long stretch of four singles from the self-titled 1985 Ron Nevison produced comeback album, Heart. Capitol Records 45RPM #5481, "What About Love?", is the quintessential musical exploration of that elusive relationship element, the thing that is supposed to be the real glue in human intimacy. A great song is one which can connect with the public, and how many hopeless romantics haven't posed the questions inside this brilliant tune? The lover asks the importance of climbing up the ladder of life vs having someone to care for. The 3 minutes and 42 seconds herald a new sound for the group, the riff-rock of earlier signature tunes "Crazy On You", "Magic Man" and "Barracuda" is replaced with a smoother, more traditional style acceptable for radio of the day; the guitar lead majestically bolsters the title question, what about love? A great line like "The love I'm sending/ain't making its way to your heart" is something experienced by most who find themselves in this dilemma - with the Wilson sisters playing it for all its worth, Ann's impassioned vocals speaking volumes. Capitol Records struck platinum when Tina Turner reinvented Al Green in a big way the year before this, so it was no stretch for the label to take another pair of industry veterans and do the same. Both Turner and Heart found phenomenal success with their respective big ballads leading the charge. "What About Love?" was the perfect re-introduction to this talented ensemble, and a tremendous piece of songwriting which ushered in their new era with a touch of class.

Sunday, October 30, 2022


Joe Viglione's Published Biographies


sailor's delight by Doug Fieger's SKY   

Sailor's Delight Review


by Joe Viglione



Sailor's Delight Review


by Joe Viglione


The second album by the Knack's Doug Fieger was produced by Jimmy Miller with Andy Johns, eight years before producer Mike Chapman would unleash "My Sharona" on the world. Fieger's "Don't Want Nobody" has all the elements that Miller put into his Stones hits and Traffic classic album cuts -- piano and flute supplement the folk guitar and vocal, giving the singer an enviable platform. The album is a solid representation of Fieger's song compositions and pre-Knack efforts; "Let It Lie Low" is a nice bit of pop/rock that foretells what was to come, a happy-go-lucky drumbeat by Robby Stawinski exploding when the Rolling Stones' horn section of Bobby Keys and Jim Price kicks in. Young Fieger's letter to producer Miller not only landed him the two albums on RCA, it enabled the group to get the great players here, like guitarist John Uribe and the Stones' pianist Ian Stewart, continuing the tradition of the stellar guests who showed up for Sky's first album. "Taking the Long Way Home" definitely sounds like an American version of Traffic, with conga drums that help the transition from this song to the piano ballad "Come Back." Again, the Stones' horns come in to add a touch of class, creating a nice bed for the powerful song-title chorus to emphasize Feiger's slinky vocal. This track is outstanding, and should have been a staple on 1971 FM radio. Miller was quite busy in the early '70s with Locomotiv GT, the Savage Rose, the Rolling Stones, Delaney & Bonnie, George Harrison, and Ginger Baker's Air Force, among others. Sailor's Delight, with its beautiful red sunrise/sunset cover, is a lost gem from the major producer at the peak of his powers as well as from his discovery Fieger, who went on to create the hit of the summer of 1979, "My Sharona." Inside these grooves are melodies and performances that verify Miller's genius; "Tooly" has an island feel while John Coury's "Sing for Me" comes off like the serious side of Tommy James. "Sing for Me," "Come Back," and "Low Down" from this disc would be perfect Sky contributions for the inevitable Jimmy Miller production box set. As entertaining as it is historical, Sailor's Delight is creative work from the master producer and the musicians he believed in enough to sign. How many "name" producers on a hot streak would gamble on an unknown singer, with validation coming years later as the singer went on to worldwide fame?

Douglas Lars Fieger Biography


by Joe Viglione

Doug Fieger was best known as lead singer of the Knack and co-writer with guitarist Berton Averre of that group's summer of 1979 number one smash and perennial favorite "My Sharona." His colorful and storied career went beyond that hit recording and the band that spawned it to reveal an array of escapades in the music industry dating back to when he was a young teen, as well as a more serious side including production work and/or interactions with Was Not WasRingo StarrRoy Orbison, and other artists.

Fieger was three or four when he saw his first movie, and from that moment the stage was his goal, his major influence being, strangely enough, Danny Kaye. At the age of 12 he acted professionally and began staging Edward Albee plays while a teenager. The idea for young Fieger was not necessarily to just be a singer or musician; it was to be an entertainer. He described his parents as "fairly flamboyant" -- his father was a very successful labor lawyer, his mother a union organizer who put together the first teacher's strike in the United States. His sister Beth Fieger-Falkenstein writes for TV and movies, the two episodes of Mad About You with Yoko Ono at the piano coming from her pen, while brother Geoffrey Fieger is a high-profile attorney and onetime candidate for governor of Michigan.

Beggars BanquetAround February 1964 he picked up the guitar at age 11 and began jamming with John Coury, though he was playing piano and trumpet before that. At 13 years of age he and Coury formed the group Sky, the band being managed by the owner of the Grande Ballroom in Detroit. They made a demo and mailed it to Pete Townshend, since Fieger had met him and got the contact from their manager. The Who guitarist received the demo tape, but it wasn't until the Knack were emerging in 1978 that Townshend acknowledged he listened to the songs on the tape many times, singing one of them to a stunned Fieger on the phone all those years later. With no word from Townshend at the time, however, it was a connection with the band Traffic that led to the group's recordings with Jimmy Miller, the legendary producer for the Rolling Stones. The teenagers in Sky made a list of producers and at top of the list were George Martin and Jimmy MillerMiller was producing Traffic and had just started producing the single "Jumpin' Jack Flash" and the album Beggars Banquet for the Rolling Stones. The other names on the list of potential Sky producers included Shel Talmy and Pete Townshend.

Fieger went to a party at Sky's manager's house and Traffic were there. Dave Mason was also there at that time, though he would come and go in that band. Mason gave Fieger the address of Jimmy Miller since Sky had opened Traffic shows a number of times. Fieger wrote to Miller, "You can ask Stevie Winwood about us, and if you're ever in Detroit....," and Jimmy Miller answered the letter, calling Fieger by phone, expressing interest in wanting to see the Motown studios. And he did. The band took him to Motown studios and brought him back to the Fieger house, where they sat around Fieger's parents' ping-pong table in the basement, listening to the Sky repertoire. The next morning Miller signed the group to a recording contract.

Sticky FingersAfter Fieger graduated from high school, Miller took Sky to London and they recorded their first album at Olympic Studios, next door to the Stones recording Sticky FingersSky recorded their second album at Mick Jagger's house using the Stones' mobile truck, their old friends in the Who recording "Won't Get Fooled Again" with that truck earlier in the day. London was amazing for the young Doug Fieger, who went there after graduation. The band hung out with the likes of Jeff BeckChris Wood, one of their producers Gary WrightAndy JohnsBobby KeysJim Price, the Plastic Ono Band's Alan White, and many others. Sky moved to Los Angeles at the suggestion of Jimmy Miller and eventually broke up due to youth and management hassles.

In 1971 Fieger met Bruce Gary, the first drummer of the Knack, with Berton Averre hooking up with them in 1973 on guitar. Fieger decided to put a band together and play live, and a showcase gig for a management company led to the creation of the Knack. They began packing clubs, with notables like Ray ManzarekBruce SpringsteenStephen StillsEddie MoneyTom Petty, and others showing up to jam with them in concert. Looking for an original song to replace Buddy Holly's "Not Fade Away," they created "My Sharona," and the rest is history.

BK3In subsequent years Doug Fieger liked to build cars and race them, and produced other acts in his home analog recording studio ("the kind of equipment we would've made Sky records on"). The Knack reunited for a benefit for the late Shel Myer, the first person to book the band; decided they liked performing together after the benefit concert; and continued to write, record, and perform into the new millennium with the voice of Doug Fieger and his songs steering the ship -- although they never again achieved the popularity that had come with "My Sharona." In the mid-2000s Fieger began experiencing serious health problems, undergoing surgery for brain tumors in 2006 and additional surgery and chemotherapy for lung cancer diagnosed in 2007. Fieger continued his battles with cancer for several years before succumbing in February 2010 at his home in Woodland Hills, CA, at the age of 57. Among Fieger’s last recorded performances was a guest vocal spot on former Kiss guitarist Bruce Kulick’s 2010 release BK3; Fieger sang lead vocals on the power pop number “Dirty Girl.”    

Jo Jo Laine Biography by Joe Viglione
Jo Jo Laine is an author/singer/model, the former wife of Moody Blues/Wingsco-founder, guitarist Denny Laine. The former Joanne Patri recorded withPaul & Linda McCartney and Wings' members including Steve Holley,an album called "Japanese Tears" with Jo Jo's beautiful reading of"Same Mistakes". Joanne also performed with Police member Andy Summers on her PYE 45 "Hulk" b/w "Dancing Man" Produced by Fancy's Ray Fenwick she released a classic girl group single on Mercury, "When The Girl's Happy (The Boy'sHappy Too)". The band was called The Firm and when they released albums onMercury, they went platinum. That was when Jo Jo's friend, Jimmy Page, took the name even further, but just as Denny Laine pioneered the sound that Bev Bevan claims inspired E.L.O., Jo Jo powered The Firm before they found fame. In 1986 the late Jimmy Miller, producer of Blind Faith and The Rolling Stones,produced the first of many sides for Jo Jo. Joe Viglione wrote some of the material and continued work on the project which continues 16 years later. Jay & Scott Couper also began tracking additional sides with Joanne and a compilation of all the sessions is being discussed, as well as work with the British band EMPORIUM. Jo Jo's escapades are well documented in the book The McCartney Files as well as in numerous newspapers and magazines. A beautiful photo of mother and daughter graced the cover of PHOTOGRAPHY MAGAZINE while HELLO magazine in Britain recently ran a two page spread on Jo Jo andher daughter Heidi. This time Heidi is all grown up with two children of her own-Jay Lee and Jessie-Jo, born on January 7, 2005 - and named in part after this writer. Heidi-Jo has her own band with brother Laine. He's a phenomenal guitarist, and that's because Jo Jo cracked the whip harder than Michael Jackson's dad, Joe. Well, not really, but Cream drummer Ginger Baker says "No sane man would go near her" and this writer agrees! HOWEVER, many sane people don't make great ROCK & ROLL and Jo Jo does! She appeared with the band THE VERDICT when they were known as GEAR, performing on the material Jimmy Miller recorded with them, and is also on sessions with The Count and blues guitar great BUDDY GUY. She sometimes guest stars with her older son and only daughter's band, 13 A at gigs in and around London, her younger son, Boston,currently co-writing her biography and busy videotaping his mom backstagewith Steve Holley and Dar Williams at The Orpheum in Boston, or in Londonwhen he's there and can grab his dad's videocam. Jo Jo Laine will have a full album available soon and a book about herwild life with Rod Stewart, Jimi Hendrix, Jim Morrison, Randy Rhodes,Brad Delp, Thin Lizzy, Led Zeppelin, and lots of tales told in-between.

5:31 PM #October 30 2022 #Sunday Thanks #SteveGarnett from #DemothatgottheDealVol5 CD #JoeViglioneMedia @AndraeCarter

9:45 pm #August 11, 2022 #TheSaltWaterSummers on Cox Music Show

 9:45 pm #August 11, 2022 #TheSaltWaterSummers #EbenUpton Creator & CEO of #RaspberryPi @raspberrypi_otd @EbenUpton hear on @SoundCloud here: #JoeViglioneMedia Thanks #CoxMusicShow #FilmMusic #MusicSupervisors #Beach #Summer #DemoThatGotTheDealVol5 #Music 

Saturday, October 29, 2022

High as the Sun on RadioWhat! Blacking Out / IPD Green Bless Me Jah / Blacking Out on Good Music Radio

 12:33 pm #Saturday #October 29 2022 High As The Sun on Bandcamp @Bandcamp #JoeViglioneMedia #Filmmusic #MusicSupervisors #hardrock #metal #Heavymetalthundeer #thunder #blackingout 

1:29 PM · Oct 29, 2022 #Saturday @IPDKg @zionrock thanks #RadioWhat for playing Bless me Jah from #DemoThatGotTheDealVol5 #JoeViglioneMedia
6:56 AM #October 29, 2022 #Saturday Thanks #GoodMusicRadio for playing "High as the Sun" Bandcamp @Bandcamp #JoeViglioneMedia
#Filmmusic #MusicSupervisors #hardrock #metal #Heavymetalthundeer #thunder #blackingout

Talitha Jae #LonelyOakRadio

  Talitha Jae  @Talithajae  on  #Lonelyoakradio  Review: