12:38 PM #July 5 2022 Thanks #CBJRadio airing the #UkraineMix of #AbsoluteCrime featuring Leah Kolvatz @gregpaquette5 #JoeViglioneMedia Original version here: https://open.spotify.com/artist/1NrVDnR53RuZ3ass0TsIkA/discography from #SingleStone CD @spotifyartists @Spotify @ascapexperience @bmi @Deezer @iTunes @AppleMusic
4:18 AM #January 30 2022 Summer isn't Over, it's Just Begun (TM) The Salt Water Summers Thanks #OnlyRockRadio #Spain www.onlyrockradio.com #joeViglioneMedia #SeagullFlies On Spotify https://open.spotify.com/artist/4SFC23u8qbNm6KajVHL3ot @Spotify #MusicSupervisors #FilmMusic @wbpictures @SonyPictures @POP
8:30 PM #May 1 2022 Thanks #SLERADIO and Jay for airing #Swing from #DemoThatGotTheDealVol5 CD #JoeViglioneMedia mastered by @RobFraboni Retro Active is the CD @gregpaquette5 #FrankRossano @lspinna #SinusoidalMusic @MusicSinusoidal @nprmusic @wbpictures @BBCSpotlight #MusicalPlayFrank Rossano playing Nothing's Gonna Stop Us Now 11:22 am. Monday July 18, 2022 Love this song from the film Mannequin: https://www.allmusic.com/song/nothings-gonna-stop-us-now-mt0012895174 Song Review by Joe Viglione [-]
For those purist fans of the early Jefferson Airplane and Jefferson Starship, a song like "We Built This City" took the path the Marty Balin-less group embarked on with "Jane" (a title Balin actually rehearsed with the group prior to his leaving for a solo career) farther into the arena rock wasteland. The four minutes and 29 seconds of "Nothing's Gonna Stop Us Now" were a huge treat on an entirely different level. It's really more a collaboration between producer/arranger Narada Michael Walden and singers Grace Slick and Mickey Thomas than it is a Starship track. Lead guitarist Craig Chaquico is merely a guest star here, for this is a high-tech quagmire of bells, whistles, strings, and Walden's vision, building the melody into a rock-solid stomp, but for Starship, it is its zenith. If the song "Miracles" was Jefferson Starship at its most potent and creative, "Nothing's Gonna Stop Us Now" is selling out, in a good way. With this tune the band evolved into the counterculture Archies, but Slick remains the Queen of Cool, and she adds a dimension of integrity, even bringing the very best performance out of Thomas, who was all things a singer for Jefferson Starship should not have been. Slick and Thomas work in unison here, not the tapestry that was her marriage with Balin's voice on "Miracles" but an effortless combination like the guitars of Keith Richards and Ronnie Wood, a doubling effect which intensifies the sentiment. The song by Albert Hammond and Diane Warren could not be constructed more perfectly or with such refined precision. Walden has to be commended for merging dance-rock with industrial, and for all the contrived elements, anathema to fans of the institution which once crafted "It's No Secret" and "Plastic Fantastic Lover," this platter is itself a fantastic plastic march of triumph and overcoming all obstacles. It's actually a re-working of Balin's "Miracles" theme, an uplifting accomplishment of love conquering all as the "plastic fantastic lover" in the store window comes to life for the lovelorn hero. Theme to the Twentieth Century Fox motion pictures Mannequin and Mannequin II, it's a song so nice the studio had to play it twice, to paraphrase the late Rolling Stones producer Jimmy Miller.
For those purist fans of the early Jefferson Airplane and Jefferson Starship, a song like "We Built This City" took the path the Marty Balin-less group embarked on with "Jane" (a title Balin actually rehearsed with the group prior to his leaving for a solo career) farther into the arena rock wasteland. The four minutes and 29 seconds of "Nothing's Gonna Stop Us Now" were a huge treat on an entirely different level. It's really more a collaboration between producer/arranger Narada Michael Walden and singers Grace Slick and Mickey Thomas than it is a Starship track. Lead guitarist Craig Chaquico is merely a guest star here, for this is a high-tech quagmire of bells, whistles, strings, and Walden's vision, building the melody into a rock-solid stomp, but for Starship, it is its zenith. If the song "Miracles" was Jefferson Starship at its most potent and creative, "Nothing's Gonna Stop Us Now" is selling out, in a good way. With this tune the band evolved into the counterculture Archies, but Slick remains the Queen of Cool, and she adds a dimension of integrity, even bringing the very best performance out of Thomas, who was all things a singer for Jefferson Starship should not have been. Slick and Thomas work in unison here, not the tapestry that was her marriage with Balin's voice on "Miracles" but an effortless combination like the guitars of Keith Richards and Ronnie Wood, a doubling effect which intensifies the sentiment. The song by Albert Hammond and Diane Warren could not be constructed more perfectly or with such refined precision. Walden has to be commended for merging dance-rock with industrial, and for all the contrived elements, anathema to fans of the institution which once crafted "It's No Secret" and "Plastic Fantastic Lover," this platter is itself a fantastic plastic march of triumph and overcoming all obstacles. It's actually a re-working of Balin's "Miracles" theme, an uplifting accomplishment of love conquering all as the "plastic fantastic lover" in the store window comes to life for the lovelorn hero. Theme to the Twentieth Century Fox motion pictures Mannequin and Mannequin II, it's a song so nice the studio had to play it twice, to paraphrase the late Rolling Stones producer Jimmy Miller.
2:28 PM #July 18, 2022 "Pick Yourself Up" from #RetroActive https://music.youtube.com/watch?v=v16Bkqygafw&list=RDAMVMv16Bkqygafw on YouTube @youtubemusic @gregpaquette5 @recordmachine @TheSpinRoom00 #MuicalPlay #Stageplay #stage #JoeViglioneMedia #MusicSupervisors #TheatricalProduction #Producer #PopMusic #Music #Guitar
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