How did Sorry for Nothing come about?
The band is
Rob Hankosky - Guitars, vocals
Frank Lewis - Drums, vocals
Dave Guerrero - Guitars, vocals
Nate Jaworski - Bass (joined band after the studio)
Fred Fechter - Bass in the studio
How did Sorry for Nothing come about?
By accident really. 5 of the 6 songs were written about a year before we recorded them. Pt. Blank was written years ago. We had a mid-west tour planned in July 2020 that was canceled because of Covid. The money we had saved for the tour we used to go to the studio. We went to Nexus Studios which is owned and run by Jason Hatch, which was a real treat for a band like ours.
As for the title, Dave came up with the name "Sorry For Nothing". We are all veteran musicians and have been in a lot of different bands. Frank and I have been playing together for 25 years. Our blood & sweat are scattered on stages all over Texas . Lots of shenanigan's between us and we are "Sorry For Nothing".
Tell our readers a bit about the inspiration for each song and how the songs developed in the studio
All the songs were well rehearsed before we got to the studio. We had a bass player that had to move for grad school who couldn't make the studio so we asked our good friend Fred Fechter who played some guitar on our first release "Ready To Roll" to come play bass in the studio. He did a great job pretty much on the spot.
1. Breaking Even - It a song about always trying to get ahead really, playing catch up. You know the old saying, "lets at least try to break even". The first line "I woke up from a bad dream, screaming like I do" was actually written in the 3rd person, my wife. The rest is a view of life and asking, c'mon life, let us at least break even.
2. Lonely In Love - This is about being in love with someone you've been with for a long time. I've been with my wife, Sue now for 27 years and I'm still in love with her. Its actually an odd love poem to her stating that we are together which makes us lonely to the rest of the world but fuck it because we are in love. The lyrics kinda came in parts. The music took a while to fit. Frank does some really cool drum parts here.
3. Looking For Something - I don't like to admit it but its really about being tired of waking up with a hangover. The lyrics pretty much speak for themselves. .
"Can you face it sober, friend foe or lover, Or do you have to look back over your shoulder.
When you see the world thru those drunken eyes, Being sober can make you cry".
"I don’t remember saying sorry for nothing, I must of been drunk & looking for something".
There's really no hidden meaning in this one. Dave did a great job on the solo and riffs throughout the song. Fred's walk ups on the bass are spot on.
4. Moving Forward - This song was a complete accident. This was just some warm up riffs when we would start practice that turned into one of my favorites on the cd. One day I put some meaningful lyrics to it and boom we have a song. Kinda my credo, "Moving Forward" The acoustic was almost left off but thank god sound reasoning prevailed!
5. Gotta Get Up - Basically fuck the media that portrays that life sucks and you have no chance at a good life. I hate social media in regards to how all consuming it has become. Everyone goes down the rabbit hole & not just kids. Hopefully this song will give someone besides me hope if things are drifting a little off course in your life. I give The Replacements a nod here, " Radio used to blast our favorite songs, left of the dial was never wrong".
6. Pt Blank, Tx - This one was actually written for a side project band Johnny Malingo. We get together every now and then & play covers. We were going to play a backyard party, and I wanted an original in the set. My friend Todd was a claims adjustor and had to go inspect a property in Pt. Blank, Tx that burned and an apparent suicide. Turns out a guys set his trailer on fire and his best friend went to try and save him and they both died. A real tragedy. Again the band did a great job in the studio on this one. Tough one to sing sometimes.
How are you working your recent release on the web?
We are on OTTO RECORDS! and they have us on their Bandcamp site. I really like Bandcamp. I find a lot of cool music and bands from all over the world there. I also like it because you can support the bands by buying their music and the bands get most of the money. We had the cd's made thru CD Baby and they put us on all the streaming sites. You can find us on Spotify, Apple, Youtube etc. All that. Probably more I don't know about.
Also through the dreaded social sites. Facebook, Instagram, a little Twitter. We've sent out the cd for review and a couple have come back. I think I met you thru Twitter so I guess its working.
Are you planning club dates in 2021?
Playing live is where its at. I love the anticipation for an upcoming show. I really missed that in 2020. We played back in early April. It was one of those shows, "let's turn up and blast off". A lot of frustration from not playing out for a year came out that night. The crowd loved it. We didn't want to leave the stage. We pulled out all the tricks and covers, which isn't many. IOU by The Replacements was a barn burner. She's Drunk All The Time by Tim Timbomb, California Stars by Wilco. I think Nate bought everyone shots!
Playing live is where its at. I love the anticipation for an upcoming show. I really missed that in 2020. We played back in early April. It was one of those shows, "let's turn up and blast off". A lot of frustration from not playing out for a year came out that night. The crowd loved it. We didn't want to leave the stage. We pulled out all the tricks and covers, which isn't many. IOU by The Replacements was a barn burner. She's Drunk All The Time by Tim Timbomb, California Stars by Wilco. I think Nate bought everyone shots!
We have more coming up. Our friends 61 Ghosts are coming to Texas and we have shows planned with them. I think OTTO RECORDS! will have some showcases coming up as well.
Do you have other social media sites along with the Twitter and Facebook?
RUSTY KERSHAW
Yes here are some links:
Who did the cover art for SORRY FOR NOTHING?
An artist named Alex Rosas. He caught my eye when he did some Tommy Stinson artwork. Turns out he's right down the road in Houston. You should really check out his art. Very tasteful and detailed. We all really love it. We are very proud of this cd and we needed a true artist to capture the sounds. Alex did just that. The cover is called The Willie Mo. Willie Mo is a real person and our biggest fan outside of our families. He's been to more shows than anyone.
Anything you'd like to say to our Club Bohemia readers?
Really the bands and venue owners have been struggling for over a year. Get out and support live music and buy the merch. Nobody is getting rich off this but it does help. Especially the venue staff. Hell our cd is cheaper than most beers!
#cheapthrillsandlousysongs
RUSTY KERSHAW
AllMusic Review by Joe Viglione [-]
In the early '90s, producer Rob Fraboni was the man behind Domino Records, a label distributed by Relativity Entertainment Distribution. Domino released Zoom, the self-produced album by Ten Years After guitarist Alvin Lee, along with two discs produced by Fraboni, one by blues artist John Mooney and the other being this excellent effort by Rusty Kershaw. For fans of Neil Young's Harvest, this is even more laid-back, but it shows Young's roots, and he actually shows up on six of the 13 tracks. "I Like to Live on the Bayou" has Ben Keith on dobro and pedal steel, and Young playing a melancholy harmonica. This material was recorded and mixed in New Orleans, and it can't be beat for authenticity. Now & Then is a record from another time and place, and if you aren't accustomed to the sound, it really needs to be played a couple of times to detox you from what you may be used to listening to; the 12 Kershaw originals and one arrangement of a traditional tune, "Stop Kicking My Dog Around," have an amazing effect when given a proper ear. Fraboni's production is perfect, allowing the music to get absorbed by the analog recording tape. Art Neville's piano on "Musician's Woman" and "I Don't Like the Feeling" is a nice addition to the Subdudes, the band recording with Kershaw on this disc (Steve Armadee on tambourine, Johnny Ray Allen on bass, Tommy Malone providing acoustic guitar, and John Magnie on keyboards). "This Is Rock & Roll" is not rock & roll -- it's some blend of folk and Cajun music -- but it works, and the instrumentation weaves a nice tapestry here, a little more uptempo than most of the record. "I Don't Like the Feeling" brings things right back down; Kershaw's vocals are almost unintelligible, and the performance feels like B.J. Thomas' 45 rpm version of "I'm So Lonesome I Could Cry" played at 33 rpm. There is amazing precision in these grooves; Kershaw is able to slow things down with more intensity than Vanilla Fudge in its heyday. Fans of modern rock might find this musical morass monotonous, but that would be a pity. "Married Man," with contributions from Young and Keith, is like some sort of Cajun funk. It's music with a well-deserved cult following, and is a treat for connoisseurs of the genre.
Review by Joe Viglione .https://www.allmusic.com/album/now-then-mw0000109425
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