Saturday, November 28, 2020

Gary Pig Gold takes on The Kinks Muswell Hillbillies

 

Monday, November 23, 2020

Kinks "Muswell Hillbillies"

 

GUEST REVIEW BY GARY PIG GOLD

(RCA, 1971)

MUSWELL HILLBILLIES TURN 49  

 

“MUSWELL HILLBILLIES isn’t just a better country-rock album than anything by Wilco or Son Volt;
It’s a better country-rock album than anything by The Byrds.”
 
When the esteemed J.R.Taylor first put those words in The New York Press awhile back, I couldn’t help but laugh. J.R.’s always tossing around outrageous statements like this, and obviously loves a good scrape as much as anyone else who chooses to live – or write – within the confines of New York City. But then just the other day, I found myself listening yet again to that 1971 Kinks klassic in question …and I’m certainly not laughing anymore.
 
Without naming any more names (and believe me, I could greatly expand on Mr.Taylor’s little list!), let’s just say that one has to at least question the musical, and perhaps even socio-geographic, pedigree behind most of what’s since been loosely labeled “alt.country”:  To whit, Strip the vast majority of [insert your current fave raves from the genre here] straight down, or better still see and hear [ditto] live on stage some night, and you’re likely to recognize, should you really be hip-honest enough, little more than just some plain dumb ol’ r-a-w-k in the USA with a couple of B-benders and sparkly shirts (if you’re lucky) tossed on top. The Stones and even the Georgia Satellites, fer Chrissake, have done it all already all over and over again …and with quite a bit more spit and panache, truth be told. And let’s not even get started on that pioneering Rank And File combo, OK?!


http://roctoberreviews.blogspot.com/2020/11/kinks-muswell-hillbillies.html

11 Star Trek "fan films" make history by bringing in past familiar faces and voices....

IF YOU'RE A FAN OF STAR TREK, THERE ARE FILMS OUT THERE ON YOUTUBE THAT WERE MADE BY THOSE INSPIRED BY THE ORIGINAL SERIES 


And here is an amazingly accurate quote on this 1st episode of an 11 run Star Trek fan-funded "sequel" series from Fan Film Factor:


"The moment I first “felt” it…

At the midway point of the episode, where the god Apollo suddenly strengthens and turns his powers on Kirk, in that moment I suddenly forgot I was watching a “fan” film and immersed myself in the belief that I was watching a never-before-discovered episode of the original Star Trek!

Of course, I knew in my head that the actors were different (except for Apollo).  But in that moment when I heard Apollo’s voice reverberate, saw Kirk tossed into the air like a rag doll, and listened to that familiar music, it didn’t matter that it wasn’t William Shatner hitting the floor and being levitated. In those 90 seconds, in my heart, I was watching “pure” Star Trek.

I was hooked."   Jonathan Lane


https://fanfilmfactor.com/2017/10/20/a-history-of-star-trek-continues-feature-part-1/

 

Pilgrim of Eternity, about 51 minutes 

https://youtu.be/3G-ziTBAkbQ

Apollo returns to wreak havoc on Kirk and the Enterprise in the first episode of the new series. (Michael Forest — original series actor who played Apollo — reprises his role.)

Joe V essays: 

As a child I watched EVERY Star Trek episode during its first airing.  At 13 years old I thought it a big deal and that the entire world was watching...little did I know that it would take syndication for the rest of the universe to catch on. But the show's creator - Gene Rodenberry, involved with TV long before Star Trek, certainly knew.

Watching The Search for Spock the other night - a free movie on the cable company we subscribe to here, I realized it is probably the best film in the series, greater than The Wrath of Khan which spawned that particular sequel.    Leonard Nimoy - as director - crafted a beautiful film with the scenes on Vulcan inspired - consciously or unconsciously - from the Wizard of Oz classic film.   Where Khan was a series of vignettes that all fit together, Search for Spock rolls on seamlessly.  And the point I'm making here is that when the Star Trek movies re-worked the plots from the original series, it made the fans happy, and made for the best films.  


(Side note: a motion picture that was kinda sorta original, the Undiscovered Country, didn't rely on re-working the old series, and that's fine, and an anomaly.  Underrated and good is the Undiscovered Country and nice to have a different plot and be able to pull it off.)

What's problematic is that these cable companies want to charge now for all things Star Trek, Star Wars, Matrix, years after they aired...and since you are already paying for cable WITH annoying advertising, the greedsters take the fun out of re-watching some of these classics.

So last night, 11/27/2020, I stumbled on YouTUBE on the cable provider's list of things "TV for free."   I've been watching THE INVADERS on the Computer off YouTube since MeTV decided to put it at 4 AM on Sunday mornings...no thank You!  But it is fun watching on "the big screen" and that TUBI has dreadful "B" and "Z" films, for the most part, having access to science fiction on YouTube is a delight. (NO, I haven't accessed my Visual Radio or my Marty Balin documentary on YouTube...like John Lennon, my art is out there for YOU to enjoy.)

And on YouTube there's a plethora of Star Trek fan-made movies.  You don't have the Hollywood funding - thank you I Love Lucy - the cash that Lucille Ball and Desilu put behind it, but some of the scripts are well thought out, while some of the acting can drive you crazy.  Sometimes bad actors resembling the imbeciles on local city councils appear, trying to wind their way through plot lines with good potential.  What is terrific about all the Dick Wolf Law and Order series is that the acting is sublime, even when the scripts go south.  Great acting is a key to a series' longevity.  So there is so much potential to re-work elements of Star Trek left on the cutting room floor by picking up these fan films, extending the plots by adding great acting and additional scripting.  With all the CG capabilities out there, the powers that be would be well advised to enhance these ideas (or take the Star Trek cartoons, put real actors on the set, and utilize the original voicings from the cartoons! for new episodes with the old stars front and center.)

What do I mean by "enhance these ideas?"  I would love to direct good actors in key scenes, replace the awkward moments in the fan films, and come up with something more substantial.   

If you are a Trekkie (the sci-fi politically correct term "Trekkar" I find  annoying) the historical link to the old series by resurrecting actors before they die off in the real world is something to applaud.

----------------------------


here are a couple of random thoughts prior to the writing of this essay:

Michael Forest returned to Star Trek in 2014...and though it was a fan film it got enough funding to mirror the original series. Best Actor award has to go to the son of Scotty - Chris Doohan plays his father's character, and James Doohan should be very proud wherever he is these days in the cosmos...rip
 
 The sets are great, the scripts are good....the acting, not so much. I didn't realize it was Doohan's son that was doing the best acting job of the crew until I did some investigating...interesting. 
 
Paramount would do well to pick up these episodes, enhance them and bring them in as part of the catalog, especially with enough past cast members to make it legit.Look at Forest from the 1960's episode to the 2014 episode. http://christopherbowsman.blogspot.com/2014/02/star-trek-continues-pilgrim-of-eternity.html
 
First thoughts on it from a Facebook post: 
 A fan Star Trek film has Marina Sirtis from TNG as the computer voice, and got an actor from the original series to reprise his role: Michael was a film and television actor, notably playing the part of Apollo in the 1967 Star Trek episode "Who Mourns for Adonais?" and most recently reprised this role in the Star Trek Continues episode "Pilgrim of Eternity" 47 years later. https://en.wikipedia.org/wiki/Michael_Forest
 
 

TREKYARDS and VIC MIGNOGNA go behind-the-scenes of STAR TREK CONTINUES!

 

Although STC has completed its 11-episode run, fans still cherish this labor of love and the careful attention to detail that went into it.  And while STC has released a few special features here and there focussing on things like the music scoring, editing, and VFX—and Fan Film Factor published this exhaustively-researched complete history of STC—there hasn’t been a real “deep dive” into all of the  behind-the-scenes production secrets of this amazing series.

Until now, that is!

 
 

Friday, November 27, 2020

New Music in France on Free and Easy Radio Show ....We Publish Playlists ! 11/27/2020

 


ONCE BALLROOM CLOSES...following C Note in Hull, Thunder Road AND Bull McCabe's also in Somerville as is ONCE

303,088 all-time page views 12:55 am, 11/27/2020

2,999 views for November @ 12:55 am 11/27/20

 

 

ONCE launched a “virtual venue” in May and has since streamed over 100 live shows online, and the virtual shows will continue as ONCE moves out of its physical space.


“There is no additional aid in sight,” Gonson told WBUR. “We have pivoted and created and hung on to our space as long as possible, but without the ability to gather in-person for events and without government aid programs substantial enough to sustain our physical operations, we are left with no choice. We can’t hold on until we are able to reopen.” https://www.boston.com/news/coronavirus/2020/11/25/once-lounge-and-ballroom-somerville-closed

Wednesday, November 25, 2020

SOUND OF METAL, film about a punk drummer

 Wondering if I should review this


Should I review this film?
During a series of adrenaline-fueled one-night gigs, itinerant punk-metal drummer Ruben (Riz Ahmed) begins to experience intermittent hearing loss. When a specialist tells him his condition will rapidly worsen, he thinks his music career — and with it his life — is over. 
 
His bandmate and girlfriend Lou (Olivia Cooke) checks the recovering heroin addict into a secluded sober house for the deaf in hopes it will prevent a relapse and help him learn to adapt to his new situation. But after being welcomed into a community that accepts him just as he is, Ruben has to choose between his equilibrium and the drive to reclaim the life he once knew. 
 
Utilizing startling, innovative sound design techniques, director Darius Marder takes audiences inside Ruben’s experience to vividly recreate his journey into a rarely examined world. https://youtu.be/VFOrGkAvjAE

Tuesday, November 24, 2020

Club Bohemia Interviews T Max of THE NOISE.

 

Photos courtesy of T Max

https://www.facebook.com/tee.max.3

Q: What is Timothy Maxwell (T Max) up to musically these days, November 2020?

A: After setting up a live performance club (First Avenue Lounge in Salem MA), co-hosting (with Julie Dougherty) an Open Mic at the Salem VFW twice a month, and releasing my 18th recording project (Kisses & Hugs on Dove Records) the dreaded Covid hit and on March 16 all my scheduled live shows got cancelled. Depression set in for a while and I'm now writing new songs with plans to record and release them in 2021.

Q: The Boston Music scene has gone virtual, and no one saw this coming, what can musicians do to keep the spirit of
entertainment happening in these parts?

A: Put some extra creative ideas into your virtual performances. Keep your audience's attention. Soon a vaccine will be here and slowly live music will return to normal.  Support each other for the time being.

Q: Back in the day we played the Paradise with your band The Machines. How did the Machines start?

A: After leaving ArtYard, I found Teddy Virgin (RIP) in a classified ad and our styles complimented each other. Our 45 "Disposable Music"/"Analog" got lots of airplay on college radio and was featured on WBCN.

Q: Thanks for finding me bassist Teddy Rodden (stage name - Teddy Virgin) who played in my band for about a year.  Who was the Machines' drummer? and how did you encounter these players?

A: Teddy found the hard hitting drummer Bobby Comb in the Lowell/ Tewksbury area.

Q: How did you write "Disposable Music" and did the Machines ever make a CD?

A: I remembered how when I was young I'd play some 7" vinyl records so much that they would wear thin. "Disposable Music" is all about that process. A Machines' CD never materialized.

Q: How did publishing THE NOISE impact your own musical endeavors?

A: The Noise would host monthly shows at the Middle East. I'd book these performances and have my band, whether it be The Machines or The Borg open some. Running the magazine connected me with who I considered the best musicians in the area. Because of that, Boston Rock Opera came alive. I hand-picked the cast of Jesus Christ Superstar and every show we ever did of that sold out. I produced the early performances and took on the role of the high priests, Annas, singing those high lines "what then to do about Jesus of Nazareth?" 

Q: Publishing a magazine can be hectic.  Are you enjoying quiet time or do you miss dropping the zine off to different clubs and engaging with the scene during the daylight hours?

A: I miss driving all over New England distributing the Noise and seeing what other cities had to offer. I don't miss the hectic, high pressure job of editing and publishing a local music magazine. I'm really enjoying a more relaxed lifestyle.

Q: Will you work on a new album, or a compilation of T Max Through the Years?

A: I haven't decided to do a compilation of my own material (The Greatest Hits & Misses of T Max), but do plan to continue releasing material.

Q: What is T Max doing outside of music for fun, relaxation or both?

A: Gardening has taken the place of doing the Noise. I love growing my own herbs and vegetables. For the first time this year I've put effort in flowers - planting over 100 bulbs about a month ago. My most fun times come from training and relating to a wild squirrel I've named Bennie. You can see a lot of her on my Facebook site - Facebook.com/tee.max.3


Q: Anything you'd like to say to the Club Bohemia readers?

A: A big hi to Mickey Bliss - my twin (we were born on the same day, same year). And to the readers, keep supporting Club Bohemia - do what ever you can to help out - perform, do some behind the scene work and/or just be a good fan.


Thanks for your time, T 

T MAX

The Noise 10th Anniversary (part 3): 

T Max & Izzy / Doug Thoms 09-29-1991


from the Francis DiMenno archive (NP#38), shot by Francis DiMenno (a.k.a. The Wrong Hero), master VHS restored by Greg Dalton-Kay, 2019 recorded at The Middle East Cafe, Cambridge MA, USA

Free and Easy Radio Le Havre France Episode #87 with Audioscam's "Fast Eddy and Jo Jo," Tom Mich's "Table Scraps"

 Audioscam  "Fast Eddy and Jo Jo"

Tom Mich  "Table Scraps" which is Track #10 from

Boston Rock & Roll Anthology Chapter #21


Listen Here:

https://podcast.ouest-track.com/2020/11/22/podcast-20201122-2000.mp3

 


TOM MICH

TRACK #10 ON ANTHOLOGY 21

Banks Radio Australia, Sweet Sunday Soul1

'TABLE SCRAPS" VALLEY FM AUSTRALIA


ONLY ROCK RADIO

DALIA DAVIS

The Power of One 2:10 pm  11/24/2020

 My Back Pages  10:30 am

_____________________________

ROB BENSON

Lay Your Money Down  10:40 am 11/24/2020

Rob Benson interview on BTD Radio

https://www.btdradio.com/2020/11/01/rob-benson-artist-interview/
 




Jack Phillips  I LOVE NEW YORK  2:45 AM Tuesday November 24, 2020


 

PHIL DAROSA INTERVIEW
BTD RADIO
 
JOE VIGLIONE INTERVIEW
BTD RADIO
 
Track #15 on Anthology #21 in Boston, Pamela Ruby Russell's "Walk Thru Fire" on @Only_rock_radio @tiorr_2 @PRRussellPhotos @WhiteLightArts @spotifycharts   

Monday, November 23, 2020

Raccoon Bob Nelson's Playlist WMWM 11-21-2020

 
 
WMWM 11-21-2020 

John Lennon--Watching the Wheels/Dear Yoko (D Fantasy Stripped down) Stop Calling Me Frank--Santa Buy Me a Beer/ Some Kind of Christmas Stompers--Rock Jump and Holler Munk Duane--Dangerous Greg Walsh--Counting Down to Zero/ Tomorrow in High School Rockower--Sometimes it Rhymes Neon Gypsy--Fifth Dimension/ Come On Up Jack Phillips--I Love New York/ No One's Home Foxes and Peppers--Reg Line/ We Boldly Went James Ray--Got My Mind Set on You Gloria Jones--Tainted Love Muck and the Mires--She Blocked My Number  
Dalia Davis--Beatle Bridges
  Linda Marks--Say Yes to Love Genya Raven--Pump It Up Ratdogs--Swimming with the Sharks Brad Marino--At NIght V Dom--Covid Mask Foster Brooks--Hubert Humphrey Roast Squeezebox Stompers--Is This Our Time Jim Pepper--Witchi Tai To GA-20--My Soul Brian Williams--Rappers Delight Sugarhill Gang--Rappers Delight Full Version David Breen--Sailor's Alphabet Traveling Wilburys--Wilbury Twist Victor Wainwright--Disappear Mary Bridget Davies--Stay With Me Shemekia Copeland--Money Makes You Ugly Van Morrison--Brown Eyed Girl--Alt., Bang Sessions Mystery Science Theatre 3000--Extended Theme Greg Guba--Back in the HIgh Life--live on WMWM The Alarm--The Stand Brooks Williams--Hesitation Blues live on WMWM
______________






Sunday November 15, 2020
Bob Nelson on WMWM  Salem
Mahajibee--Hideaway
 
Dalia Davis--My Back Pages
 
Odd Couple--You're So Vain
Stop Calling Me Frank--Some Kind of Christmas
Stompers--One Heart for Sale

John Lennon---Losing You (D Fantasy Stripped Down)
 
Ray Paul--All You Ever Wanted/Sun Goes Down on London Town
 
Munk Duane--Dangerous
Frank Zappa--Peaches En Regalia

Jack Phillips--I Love New York/ Ragin' Down on Me

Rocky Horror--Sword of Damocles (Alt.)
Brad Marino--What's My Scene

Lou Christie--Self Expression/Make You Mine/Rhapsody in the Rain
Willie Loco Alexander--At the Rat
 
Brigands--Supersonic
Ronnie Deschenes Acoustic Day--Bugden Hill/ Jesus Get Me Out of This
Ratboys--Everybody Loves the Ramones

Renee Leavitt--Hometown Hero
Jeff Batson--Hometown Hero
Room 222 Theme
Sammy Davis Jr--You Can Count on Me (Hawaii Five O)
Hairspray Broadway album--Good Morning Baltimore/ Welcome to the 60s
 
Greg Walsh--Tomorrow in High School
 
Victor Wainwright--My Dog Riley/ Sing
 
Kerry Kearney--Voodoo Down the River
 
Charlie Musselwhite and Elvin Bishop--Blues Why Do You Worry Me
Shemekia Copeland--Money Makes you Ugly
Johnny Copeland--Houston
Blues Bones--Going Down
Big George Brock--Cut You Loose
 
Jennifer Truesdale--
2 cuts from WMWM Acoustic Day

Stompers--Never Tell an Angel










A close up of a person  Description automatically generated

Bob Nelson (Anthrocoon)

@RadioRaccoon

 

·

Nov 21

Played I Love New York and No One Home today on WMWM Salem MA, good stuff

 

·

Nov 14

Just played I LOVE NEW YORK and RAGIN' DOWN ON ME on WMWM Salem MA & online, sounds good!

Hotline to the Underground Adventure Set, idb Green, Greg Paquette, Rockower ...11/23/2020

 

Hotline to the Underground

Adventure Set, Idb Green, Greg Paquette and Rockower

https://adventureset1.bandcamp.com/track/cleaner-west-coast-remix?fbclid=IwAR07M9FpFwbGlYTh3-bsP_14EbzogZX4R-FcVsWMDe61Q2WWE6TNWqfM-kY

We’ve got a wild array of music this week at the Hotline…

  Rino Benenati's radio edit remix of Adventure Set's "Cleaner."  Released November 19, 2020 it’s a wonderfully smooth and highly danceable rock track. Ken Scales voice is simply amazing and eerie here. A perfect song for the new Invisible Man film that was recently out…maybe it can go on the DVD a la The Lemonheads’ “Mrs. Robinson” landed on the classic The Graduate film home release.  Mark Pothier’s writing, programming, production and keyboards reliably top notch. 


Recorded in Plymouth, Mass.  Remixed at Spectrum Sound Lab, San Francisco  Rino Benenati: Mix engineer, co-editor
Bill Williams: Editing (Bill Williams Media Production,
Hayward Ca.)   …stands up to repeated listenings…find Adventure Set on Bandcamp…

 

My dear friend Raquel Reynolds at Zionrock finds the best tunes out of Jamaica. “Level Level” from IPD green is a mesmerizing three minutes and three seconds on Vevo.

https://youtu.be/_4z84qIvGL8   The colors and quasi science fiction edits make for an amazingly compelling vignette. A haunting keyboard brings you back to play it again…and again…and again.

 

https://www.mynewsletterbuilder.com/email/newsletter/1413426292

Greg Paquette is back with a new album Retro Active. The first track, “Swing,” has a slinky guitar improving upon the Dire Straits formula. It too groves with Paquette’s vocal writing an essay on the young lady’s subversive moments on the dance floor.  Spin it a few times and you’ll catch the spirit. Greg’s previous album, Single Stone, has an essential track, “Into the Sunset” that shows another side of the songwriter/vocalist.

 


Into the Sunset  Greg Paquette

https://youtu.be/ssHED5qbALs

 


 

GOING TRACK BY TRACK WITH MARK ROCKOWER 

Band: Rockower
Album: It's Alright but Never Enough
Songs written and arranged by Mark Rockower
Produced by Derek Hughes and Mark Rockower|
ark Rockower Music LLC

Q When did the concept for the It's Alright But Never Enough album begin?

 A:  The concept for the song began roughly 2 years ago when I wanted to write something autobiographic and to have  acoustic with slide in it as I enjoy playing the slide guitar stuff.

     Part of the lyrics refer to a “type of person” who reaches a goal in life big or small and then decide it’s not enough and adjust their goals higher. It’s also about coming to terms with the past.

     I chose the songs on the album from a bunch of songs I had written over a couple of years, I chose those I felt would fit together well and make for a good album, both musically and theme wise

 

Q: What was the inspiration for American Dope?

A: American Dope musically inspired by some of the punk rock music of the past I have listened too.  I would say soft-core punk as opposed to the hard-core stuff.

      The lyrics are about the so-called war against drugs and also the plight of the middle class worker and the dwindling size of the Middle Class.

       Musically I was thinking of the band the Precious Few and writing something that would fit in with the style we played, as initially I wanted to do it for a Precious Few project. 

Q      With Big Money, what came first, the lyric or the music, and did you record a "demo" prior to going in to the studio?   If so, how did you approach the recording in the studio setting?

A: With Big Money the music came first.  I was thinking with the dual guitars in it playing the lead riff Of Thin Lizzy or even Iron Maiden. I generally write the music first or at least start from that point. Recorded a demo for each song prior to the final recording and some of those tracks made the album. I want to make sure I know everything I am going to do first before I go in. This way we can stay focused on the music and think about nothing else.  We are also well-rehearsed  so my first take has been my best on  several occasions It helps doing it with Derek as he sets a good natured approach for the session

And we feel at ease with the entire process.

Q: How did "Sometimes It Rhymes" come about?

A: Sometimes It Rhymes came about from listening to an 80’s band The Motels and how they used keyboards and synth.  It also was geared towards my ex-girlfriend and at the time things were going well and I thought two people can rhyme when in love, however naïve that might be to believe

Q: What was the  approach to recording "The Other Side?"

A; The Other Side was approached relatively the same as the other songs and I played two guitars on it and Derek Hughes played the bass.

He recorded and mixed the song

I wanted to write something about the other side of Love and that’s what I came up with.

Q: With songs like Sunflower on YouTube - the opening sounding like a tribute to Elton John's "Tiny Dancer" - how

important is it for you to have videos for each song on the album?  https://youtu.be/PzvC5FRkgwk

A Thank you, any comparison to Elton John, especially his early work like “Madman across the Water” is a big complement.   I think lyric videos are great and would have one for every song, I hope I do.  Currently there are a couple on YouTube.

People are using more senses when they listen to music that is accompanied with a lyric video.

        The video was by Derek Hughes , who played some bass on the album and recorded and engineered….as well as co-produced it with me.   

Q:Who produced and directed the video?

A:    Derek handled all aspects of the video’s

Q How did you decide to sequence "Simple Minds," "Lunar Star," "Vacation Girl," "Driving Force" and the title track  as the second half of the CD, and can you give us short thoughts on each composition?

A:   I categorized each song and then made sure not to pick two songs that were similar in style back to back.

      Simple Minds is supposed to be a country rock song like the Rolling Stones would do on several of their  70’s albums.

      Lunar Star is more of a pop song and Vacation Girl a little more danceable with some rock moments, Driving Force is a

      A straightforward rock song and I “It’s Alright but It’s Never Enough” is a little more country rock sounding to me.  It is autobiographical in content

  Q: How did you go about creating the cover art, and how did the entire project fall into place?

I wanted a shot of the Milky Way a shot of space with color in it.  Derek designed it and went with a simple approach and the project took about 9 months  in total however we are always putting out music and have a new single coming out in mp3 that will be available for purchase along with the album.

Spins 11 and 12 on #LonelyOakRadio LonelyOak Radio June 13, 2026, Saturday. Matter Of Time's

  Spins 11 and 12 on #LonelyOakRadio LonelyOak Radio June 13, 2026, Saturday. Matter Of Time's songwriter, Didi Stewart wrote me last ni...