8/30/31 #mondaythoughts 11:10 pm on The Spin Room @lspinna Walk Thru Fire by #PamelaRubyRussell @WhiteLightArts @EricLinter @PRRussellPhotos Read review on #ClubBohemia https://clubbohemianews.blogspot.com/2021/08/highway-of-dreams-pamela-ruby-russell.html Happy Birthday Pamela Ruby Russell #August
AllMusic Review by Joe Viglione [-]
"Tengo Razon," a beautiful essay, is sung in Spanish, embellished by Evan Harlan's accordion, which is on four of the ten tracks that embody Highway of Dreams by Bostonian Pamela Ruby Russell. An album that boasts Carly Simon guitarist and arranger Peter Calo playing numerous instruments and co-producing, 'Til Tuesday guitarist Robert Holmes, and others finds incredible unity and a truly original sound. "Avenue of Tears" combines these talents for a rather complex presence behind Russell's dominant voice. The pan flutes and charango of Roberto Cachimuel play along the dirge-like guitar. Imagine Black Sabbath getting subdued and backing Marianne Faithfull. Comparisons will also be made to Loreena McKennitt, with lots of haunting keyboards, voices, and flutes finding their way into these folk-rock arrangements. Calo is a formidable talent, and he brings so much out of Russell -- the party atmosphere of "Is There Any Love" takes the sounds Lulu and Twiggy were crafting in '60s pop, redefines them, and re-establishes them. Co-producer Bob Patton's baritone saxophone comes out of nowhere on "Is There Any Love," replaced by Ana Pacanoska's violin, more flutes, and more accordion. This music is dense and thought-provoking, but it doesn't take away from the performance. "Sounds of the Sea" features kena, soaring solos, and Miguel Jimenez on the pan flutes. Russell is a character, and her very serious music has a charm that many musicians fail to express in the recording process. "Boxcar" is a great opening, specifically the drone of "Walk Thru Fire" where "we glimpse through fire and the future." It feels like gypsies spying on a black mass listening to this tune -- incredibly moody and perceptive. There is little of the shrill homogenized Top 40 production that stops so many good records from becoming great. Ernesto Diaz plays strong gothic percussion on "Walk Thru Fire," setting up the listener for the tour de force performance: the title number. The singer walks across a roadway that reaches over water and into the stars with a full moon above her and a red rose piercing the blue. The cover is an exquisite reflection of this great song, with heavy contributions from Holmes. It's rare to find a statement like Highway of Dreams; music this good shouldn't get lost in the shuffle of life. https://www.allmusic.com/album/highway-of-dreams-mw0000759221 Box Car Pamela Ruby Russell on THE SPIN ROOM @WhiteLightArts @PRRussellPhotos @lspinna @EricLinter August 30 2021 #mondaythoughts 11:15 pm @Spotify 
happy birthday Pamela Ruby Russell August 31, 2021
12:11 PM #ThursdayThoughts Aug 26, 2021 Can't Wait to See You Smile on Love Songs Just for You and this edit on its own album. Thanks #RadioWigwam @rranimaltour hear the song here: https://youtu.be/d4xaojQ6hlk @KBRITZofficial @WhiteLightArts @lspinna @gregpaquette5 @hhandthenet #Pop 
Kathi McDonald was one of the friends recruited by Big Brother & the Holding Company to perform on their two post-Joplin releases, Be a Brother and How Hard It Is. David Briggs, producer of the second Alice Cooper album Easy Action and multiple early Neil Young discs is at the helm on Insane Asylum. With arrangements by The Jefferson Starship’s Pete Sears, this is a showcase for the chops and musicianship of McDonald. There’s a terrific reading of the Bee Gees’ “To Love Somebody” (which Janis Joplin covered years earlier), and an interesting first track co-written by McDonald and Pete Sears, “Bogart to Bowie,” with Nils Lofgren on guitar and Bobbye Hall on percussion. The photos of McDonald on the back cover are chaotic and beautiful, a cartoon caricature of these adorns the cover, the illustration by Seiko Kashihara. With Ronnie Montrose on guitar and Pete Sears on keys for a heavy version of “(Love Is Like A) Heatwave,” you basically have Big Brother & the Holding Company/ Montrose/Jefferson Starship covering Martha & the Vandellas. This 1974 recording was a year before Linda Ronstadt repeated Martha’s feat of going Top Five with the song. There is something about the record that feels like the band is holding back. That evaporates with what may be the best performance on the disc, “Threw Away My Love,” the second Sears/McDonald original. Kathi’s great, bluesy vocal fights and Journey’s Neil Schon on guitar give the track lots of soul, which is missing in much of the record. Surprising because Briggs is usually intuitive enough to bring out the best in artists. There is an abundance of talent here, creating a nice platform for this important singer. “Freak Lover” features the late Starship violinist Papa John Creach and is appropriately manic for an album about insanity. Willie Dixon’s composition, “Insane Asylum,” with Pete Sears and Nils Lofgren, is a blues workout deluxe. Neil Schon and Pete Sears accompany Kathi on a Peter Frampton tune, “All I Want to Be.” Lofgren and Sears do a heavy cover of Neil Young’s “Down to the Wire” for the singer to display her wonderful voice. With such a stellar cast and so much input this record could have been much more. It’s still a respectable showcase for the talents of Kathi McDonald…..by Joe Viglione….~
Kathi McDonald was one of the friends recruited by Big Brother & the Holding Company to perform on their two post-Joplin releases, Be a Brother and How Hard It Is. David Briggs, producer of the second Alice Cooper album Easy Action and multiple early Neil Young discs is at the helm on Insane Asylum. With arrangements by The Jefferson Starship’s Pete Sears, this is a showcase for the chops and musicianship of McDonald. There’s a terrific reading of the Bee Gees’ “To Love Somebody” (which Janis Joplin covered years earlier), and an interesting first track co-written by McDonald and Pete Sears, “Bogart to Bowie,” with Nils Lofgren on guitar and Bobbye Hall on percussion. The photos of McDonald on the back cover are chaotic and beautiful, a cartoon caricature of these adorns the cover, the illustration by Seiko Kashihara. With Ronnie Montrose on guitar and Pete Sears on keys for a heavy version of “(Love Is Like A) Heatwave,” you basically have Big Brother & the Holding Company/ Montrose/Jefferson Starship covering Martha & the Vandellas. This 1974 recording was a year before Linda Ronstadt repeated Martha’s feat of going Top Five with the song. There is something about the record that feels like the band is holding back. That evaporates with what may be the best performance on the disc, “Threw Away My Love,” the second Sears/McDonald original. Kathi’s great, bluesy vocal fights and Journey’s Neil Schon on guitar give the track lots of soul, which is missing in much of the record. Surprising because Briggs is usually intuitive enough to bring out the best in artists. There is an abundance of talent here, creating a nice platform for this important singer. “Freak Lover” features the late Starship violinist Papa John Creach and is appropriately manic for an album about insanity. Willie Dixon’s composition, “Insane Asylum,” with Pete Sears and Nils Lofgren, is a blues workout deluxe. Neil Schon and Pete Sears accompany Kathi on a Peter Frampton tune, “All I Want to Be.” Lofgren and Sears do a heavy cover of Neil Young’s “Down to the Wire” for the singer to display her wonderful voice. With such a stellar cast and so much input this record could have been much more. It’s still a respectable showcase for the talents of Kathi McDonald…..by Joe Viglione….~
Tom Mich on the Spin Room with #IWannaCry from his CD Thanks @lspinna @LouReed @FrankZappia1 @chicagotheband @TomMichJR1 from #DemothatgotthedealVol5 on @rranimaltour Varulven Records #MondayNight #August30 2021 around 9 pm or so
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