Tuesday, December 1, 2020

Cher FOXY LADY With Love, Cher album

 

 


 

 

 

AllMusic Review by   [-]

Sonny Bono's tight facial cover photo of his wife is an extension of the imagery from the previous Gypsys, Tramps and Thieves album jacket, as much as the music inside is a continuation of the moods this team created the year previous. The hit single, "Living in a House Divided," stalled in the Top 25, and without the distraction of the two major hits that the previous album had (certainly a luxury and not a bad thing), Snuff Garrett, Sonny Bono, Al Capps, and crew come back with a wonderful collection of songs from the pens of Al Stillman, Neil Sedaka, and Howard Greenfield, Hoyt Axton, Leon Russell, and others. Axton's "Never Been to Spain" hit the Top Five for Three Dog Night right before "The Way of Love" crested from Cher's previous album. She puts her stamp on this rendition, a production which should have had Chuck Negron and the Three Dog Night boys looking over their shoulders as Barbara Streisand had to when Gladys Knight remade "The Way We Were" and charted so quickly after Streisand hit with the same tune. It's interesting how Leon Russell's songs were showing up on albums by Helen Reddy and other female vocalists. Perhaps "Superstar" climbing the charts for the Carpenters got the veteran session man's catalog attention. His "Song for You" works well for the former Mrs. Bono. Neil Sedaka's "Don't Hide Your Love" almost makes the mark -- Cher answering herself on the record is a bit of a drawback -- it's too bad she didn't duet with Sedaka on this -- two years before "Laughter in the Rain" would bring him back to the public eye, the move for his career is obvious, and if you imagine him singing here, you realize it could have been a huge hit. Without a counterpoint, the song misses the target. Foxy Lady is an impressive collection of ten songs which holds up years later with more staying power than when it was first released. Initially it appeared as glitzy Vegas-style bubblegum for adults. Standing the test of time, "Living in a House Divided"; "It Might As Well Stay Monday (From Now On)"; "Down, Down, Down"; and the other titles here display Cher's rich expression and the superb production work of Sonny Bono and Snuff Garrett. Twenty-two years after this recording was released, Ru Paul would pen a tune called "Foxy Lady" and title his album as Cher did. Both acts should have given Jimi Hendrix his due with a champagne version of his classic -- a rendition as soulful as what Cher brings to Leon Russell's "Song for You" would have turned some heads.

 https://www.allmusic.com/album/foxy-lady-mw0000839817

 



 

 

AllMusic Review by Joe Viglione [-]

Sonny Bono's bells and castanet production by way of Phil Spector certainly adds a magical spell to Bob Dylan's "The Times They Are A-Changin'," but it is disconcerting, as an attempt at a female Barry McGuire is not as much fun as the Dylan love song that was Cher's first solo hit, "All I Really Want to Do." With Love, Cher has a somewhat unflattering photo by Sonny Bono of his wife against a blue sky on the front cover, and a series of exquisite black-and-whites on the back, her features striking, their youth and the sense of a real love affair leaping off the LP jacket. "Hey Joe" is even tougher to take than "The Times They Are A-Changin'," clearly the wrong material for this great singer, but she keeps the gender in place when doing the answer part, ambiguity à la "You'd Better Sit Down Kids" and "The Way of Love," which makes for some fun. The percussive sounds on the love theme from The Umbrellas of Cherbourg, "I Will Wait for You," adds a dimension missing on the Dylan cover, and it is one of the more intriguing and fulfilling moments on the album. Sonny's tune, "Mama (When My Dollies Have Babies)," begins with an annoying off-key choir of kids only to settle into a mellow Wall of Sound, which works. But it's the big Top Ten hit, her fifth solo smash, that really is the moment in the sun here. "You'd Better Sit Down Kids" is just a tremendous performance surrounded by winners like "Sing for Your Supper," and not so spectacular events like "Hey Joe." For a '60s album, though, there is more meat than filler, and With Love, Cher shows why the singer endeared herself to listeners and got to play in the same ballpark as Dusty and Petula.

 

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