my stories on different songs
https://www.veed.io/view/5bb0b091-099d-4e99-8f47-1509ea9a9786?source=compressor-sharing
The Story of GOODBYE TO LOVE ...Karen Carpenter's Biographical Song
Roy Orbison In Dreams#JoeViglioneMedia™ Newsletter Rock and Roll Central™The Newsletter is Edited and Published by Joe Viglione e mail demodeal{@}yahoo.com The Demo That Got The Deal™ Radio Show Music reviews, photos, videos, we are THE music site for Boston and New England Rock and Roll. Read Joe Viglione's decades-long and celebrated History of New England Rock and Roll™ from the dedicated rock journalist. Faithfully we have edited the Club Bohemia newsletter to benefit Boston and New England area artists.
my stories on different songs
https://www.veed.io/view/5bb0b091-099d-4e99-8f47-1509ea9a9786?source=compressor-sharing
The Story of GOODBYE TO LOVE ...Karen Carpenter's Biographical Song
Roy Orbison In Dreams12:34 pm Saturday Nov 19, 2022 the instrumental to "Can't Wait To See You Smile" on #WMWM's What's Happening Show. Thank you Raccoon~ @RadioRaccoon @whats_radio @DaliaDavisMusic https://www.wmwmsalem.com/ #joeviglionemedia @robfraboni
Learnin from tom mich @TomMichJR1 @TheSpinRoom00 10:08 pm nov 14 2022 monday #joeviglionemedia @lspinna
https://artdaily.cc/news/151603/The-Warhol-discovers-Rare-Velvet-Underground-master-tapes#.Y23YZHbMKUl
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Title: Nasty But Nice
Artist:
Terri Lee
Review by Joe Viglione
16 tracks is close to a double vinyl LP and Terri Lee delivers
strong performances throughout the long play. Where Janet Jackson
channeled Joan Jett's "Bad Reputation" in her classic
"Nasty," Lee softens the blow with the fact that she's
"nice" as well as being, well...."disagreeable" (the
prettiest descriptive word for "nasty" that could be found!...it is a
ROUGH word!) The song is getting consistent airplay on WMWM Salem,
courtesy of veteran d.j. Bob "Raccoon" Nelson. That's how it
came to my attention, college radio doing its job exposing artists who deserve
repeated spins.
With guitarists Johnny A (on "Montgomery Blues") and
Peter Tentindo adding their talents (Terri Lee and Tentindo both attended Salem
State College,) and some of the songs recorded by Kenny Lewis at his Mixed
Emotions studio - information given to this reviewer by the artist - Lewis who
worked with the group Stryper, of course. Lee was encouraged to record her
songs by the highly gifted Brian Maes at his Open Mic nights at the Boston St.
Cafe in Lynn (now O'Briens.) Bob St. John, a familiar name in these
parts, produced.
Sophisticated adult pop on some of the material, like
"Diamond in the Rough," at first feel a touch of Jim Steinman's
"Total Eclipse of the Heart" from Bonnie Tyler, with some Melissa
Manchester leanings. Hear on Soundcloud: https://soundcloud.com/terri-lee-762072035/03-diamond-in-the-rough
"Aurora Borealis" adds an almost Celtic feel, Lee's
voice showing its prowess, as does the songwriting here. So different
from the other tracks and most inviting. Here's a hit Celine Dion
missed out on and someone should, perhaps, get it to her.
It's a bit of a dare these days putting a dozen plus four copyrights
on a disc, however Lee spices things up by crossing genres.
"Montgomery Blues" goes from old-style dance to hip New Wave Blues,
solid guitar, harp and a cooking rhythm section. Also on
Soundcloud: https://soundcloud.com/terri-lee-762072035/montgomery-blues
"Grow Old With You" https://soundcloud.com/terri-lee-762072035/11-grow-old-with-you stylistically is
in line with "Diamond in the Rough," while the three minute sixteen
second "Real Love," (not the Beatles tune of the same name,) is pure
pop with a driving beat. "Hold Me" does another 180 - which is
great, adding diversity musically while the message stays the same: this is an
album of romance that the title track doesn't hint at. A CD full of
surprises and one with much depth.
Pick Yourself Up 2:23 AM #November 10 2022 #Thursday #JoeViglioneMedia @gregpaquette5 on Spotify https://open.spotify.com/track/0XslasvFOrNkDBXwOG0Ikj @TheSpinRoom00 @RadioRaccoon @MarkSkinRadio Thank you #RadioWhat www.radiowhat.com #MusicSupervisor #FilmMusic #Retroactive
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Joe Viglione's Published Biographies
APPLE MUSIC, JOE VIGLIONE'S BIOGRAPHY OF DOUG FIEGER OF THE KNACK
https://music.apple.com/us/artist/doug-fieger/42359340
sailor's delight by Doug Fieger's SKY
https://www.allmusic.com/album/sailors-delight-mw0000849539
by Joe Viglione
The second album by the Knack's Doug Fieger was produced by Jimmy Miller with Andy Johns, eight years before producer Mike Chapman would unleash "My Sharona" on the world. Fieger's "Don't Want Nobody" has all the elements that Miller put into his Stones hits and Traffic classic album cuts -- piano and flute supplement the folk guitar and vocal, giving the singer an enviable platform. The album is a solid representation of Fieger's song compositions and pre-Knack efforts; "Let It Lie Low" is a nice bit of pop/rock that foretells what was to come, a happy-go-lucky drumbeat by Robby Stawinski exploding when the Rolling Stones' horn section of Bobby Keys and Jim Price kicks in. Young Fieger's letter to producer Miller not only landed him the two albums on RCA, it enabled the group to get the great players here, like guitarist John Uribe and the Stones' pianist Ian Stewart, continuing the tradition of the stellar guests who showed up for Sky's first album. "Taking the Long Way Home" definitely sounds like an American version of Traffic, with conga drums that help the transition from this song to the piano ballad "Come Back." Again, the Stones' horns come in to add a touch of class, creating a nice bed for the powerful song-title chorus to emphasize Feiger's slinky vocal. This track is outstanding, and should have been a staple on 1971 FM radio. Miller was quite busy in the early '70s with Locomotiv GT, the Savage Rose, the Rolling Stones, Delaney & Bonnie, George Harrison, and Ginger Baker's Air Force, among others. Sailor's Delight, with its beautiful red sunrise/sunset cover, is a lost gem from the major producer at the peak of his powers as well as from his discovery Fieger, who went on to create the hit of the summer of 1979, "My Sharona." Inside these grooves are melodies and performances that verify Miller's genius; "Tooly" has an island feel while John Coury's "Sing for Me" comes off like the serious side of Tommy James. "Sing for Me," "Come Back," and "Low Down" from this disc would be perfect Sky contributions for the inevitable Jimmy Miller production box set. As entertaining as it is historical, Sailor's Delight is creative work from the master producer and the musicians he believed in enough to sign. How many "name" producers on a hot streak would gamble on an unknown singer, with validation coming years later as the singer went on to worldwide fame?
| Title/Composer | Performer | Time | Stream | |||
|---|---|---|---|---|---|---|
| 1 | Sky | 04:08 | SpotifyAmazon | |||
| 2 | Sky | 03:16 | SpotifyAmazon | |||
| 3 | Sky | 03:12 | SpotifyAmazon | |||
| 4 | Sky | 03:14 | SpotifyAmazon | |||
| 5 | Sky | 04:00 | SpotifyAmazon | |||
| 6 | Sky | 04:14 | SpotifyAmazon | |||
| 7 | Sky | 03:46 | SpotifyAmazon | |||
| 8 | Sky | 04:26 | SpotifyAmazon | |||
| 9 | Sky | 05:15 |
by Joe Viglione
Doug Fieger was best known as lead singer of the Knack and co-writer with guitarist Berton Averre of that group's summer of 1979 number one smash and perennial favorite "My Sharona." His colorful and storied career went beyond that hit recording and the band that spawned it to reveal an array of escapades in the music industry dating back to when he was a young teen, as well as a more serious side including production work and/or interactions with Was Not Was, Ringo Starr, Roy Orbison, and other artists.
Fieger was three or four when he saw his first movie, and from that moment the stage was his goal, his major influence being, strangely enough, Danny Kaye. At the age of 12 he acted professionally and began staging Edward Albee plays while a teenager. The idea for young Fieger was not necessarily to just be a singer or musician; it was to be an entertainer. He described his parents as "fairly flamboyant" -- his father was a very successful labor lawyer, his mother a union organizer who put together the first teacher's strike in the United States. His sister Beth Fieger-Falkenstein writes for TV and movies, the two episodes of Mad About You with Yoko Ono at the piano coming from her pen, while brother Geoffrey Fieger is a high-profile attorney and onetime candidate for governor of Michigan.
Around February 1964 he picked up the guitar at age 11 and began jamming with John Coury, though he was playing piano and trumpet before that. At 13 years of age he and Coury formed the group Sky, the band being managed by the owner of the Grande Ballroom in Detroit. They made a demo and mailed it to Pete Townshend, since Fieger had met him and got the contact from their manager. The Who guitarist received the demo tape, but it wasn't until the Knack were emerging in 1978 that Townshend acknowledged he listened to the songs on the tape many times, singing one of them to a stunned Fieger on the phone all those years later. With no word from Townshend at the time, however, it was a connection with the band Traffic that led to the group's recordings with Jimmy Miller, the legendary producer for the Rolling Stones. The teenagers in Sky made a list of producers and at top of the list were George Martin and Jimmy Miller. Miller was producing Traffic and had just started producing the single "Jumpin' Jack Flash" and the album Beggars Banquet for the Rolling Stones. The other names on the list of potential Sky producers included Shel Talmy and Pete Townshend.
Fieger went to a party at Sky's manager's house and Traffic were there. Dave Mason was also there at that time, though he would come and go in that band. Mason gave Fieger the address of Jimmy Miller since Sky had opened Traffic shows a number of times. Fieger wrote to Miller, "You can ask Stevie Winwood about us, and if you're ever in Detroit....," and Jimmy Miller answered the letter, calling Fieger by phone, expressing interest in wanting to see the Motown studios. And he did. The band took him to Motown studios and brought him back to the Fieger house, where they sat around Fieger's parents' ping-pong table in the basement, listening to the Sky repertoire. The next morning Miller signed the group to a recording contract.
After Fieger graduated from high school, Miller took Sky to London and they recorded their first album at Olympic Studios, next door to the Stones recording Sticky Fingers. Sky recorded their second album at Mick Jagger's house using the Stones' mobile truck, their old friends in the Who recording "Won't Get Fooled Again" with that truck earlier in the day. London was amazing for the young Doug Fieger, who went there after graduation. The band hung out with the likes of Jeff Beck, Chris Wood, one of their producers Gary Wright, Andy Johns, Bobby Keys, Jim Price, the Plastic Ono Band's Alan White, and many others. Sky moved to Los Angeles at the suggestion of Jimmy Miller and eventually broke up due to youth and management hassles.
In 1971 Fieger met Bruce Gary, the first drummer of the Knack, with Berton Averre hooking up with them in 1973 on guitar. Fieger decided to put a band together and play live, and a showcase gig for a management company led to the creation of the Knack. They began packing clubs, with notables like Ray Manzarek, Bruce Springsteen, Stephen Stills, Eddie Money, Tom Petty, and others showing up to jam with them in concert. Looking for an original song to replace Buddy Holly's "Not Fade Away," they created "My Sharona," and the rest is history.
In subsequent years Doug Fieger liked to build cars and race them, and produced other acts in his home analog recording studio ("the kind of equipment we would've made Sky records on"). The Knack reunited for a benefit for the late Shel Myer, the first person to book the band; decided they liked performing together after the benefit concert; and continued to write, record, and perform into the new millennium with the voice of Doug Fieger and his songs steering the ship -- although they never again achieved the popularity that had come with "My Sharona." In the mid-2000s Fieger began experiencing serious health problems, undergoing surgery for brain tumors in 2006 and additional surgery and chemotherapy for lung cancer diagnosed in 2007. Fieger continued his battles with cancer for several years before succumbing in February 2010 at his home in Woodland Hills, CA, at the age of 57. Among Fieger’s last recorded performances was a guest vocal spot on former Kiss guitarist Bruce Kulick’s 2010 release BK3; Fieger sang lead vocals on the power pop number “Dirty Girl.”
Spins 11 and 12 on #LonelyOakRadio LonelyOak Radio June 13, 2026, Saturday. Matter Of Time's songwriter, Didi Stewart wrote me last ni...