After midnight Tuesday night/Wednesday a.m.
Club Bohemia has one of the first reviews of
STAR WARS IX
STAR WARS IX
The Rise of Skywalker
By Joe Viglione
The Rise of Skywalker – to this viewer’s eyes and
ears – is the best of the new trilogy, superior to the middle three prequels
which – oh you know the story – were designed to be Episodes 1, 2, and 3, were
actually 4, 5 and 6, but will forever be -3, -2 and -1 they were just so
poorly scripted yet visually stunning.
Lucas, and Disney, didn’t learn from that exercise
in self-aggrandizing - the three prequels - thus 2018 brought us Solo: A Star Wars Story. Though
certainly entertaining enough, it failed at the box office, but may still
obtain permission for sequels after The Rise of Skywalker has its moment in the
sun.
So how to articulate this motion picture’s grand
moments without giving any plot away? Breathtakingly
huge places – be they the Wicked Witch’s castle or the Wizard of Oz’s smoky
cathedral draw audiences in. Star Wars has done this Fritz Lang Metropolis
thing better than most. Metropolis was
filmed in 1927, almost one hundred years ago.
J.J. Abrams gives us this depth and awe with the old Death Star, the
remnants of which apparently have fallen onto some planet. It’s a great moment
and is not here as a “spoiler” but as something to look forward to. As are the violent waves surrounding it. Pure
science fiction and worth the price of admission. It is also reminiscent of Rogue One which I
feel is one of the best of the Star Wars films, surpassing the three prequels
to 1977’s original Star Wars - just drop the “A New Hope” and start the entire
series there. That is the real intro to
Star Wars – and - Rogue One: A Star Wars Story is the best “prequel” one could
hope for. Why? Because it ties up the
loose ends from the 1977 masterpiece in a terrific way with great acting, great
suspense, and the ties that bind.
In my review of The Force Awakens I noted “Carrie Fisher, Harrison Ford, R2-D2,
cp30 Chewbacca and Mark Hamill all make the most of their appearances. That
they aren’t given a higher profile (except for Ford,) is to the film’s
detriment.” So go back to the first paragraph in this review and understand –
Kirk, Spock, Sulu, Uhura, Scotty, Chekov …you get the picture.
For,
you see, Ray Davies and the Kinks’ 1981 epic lp Give the People What They Want
rings true in all aspects of entertainment.
The
people want Chewbacca, the people want R2-D2, so the return of Billy Dee
Williams and Ian McDiarmid level out the Star Trek:
The Next Generation feel of the new characters. It brings the saga right to where those who
love these films want it to be.
Along with tugging at Star Wars fans’ heart strings
with Carrie Fisher’s outtake footage, which appears to be made precisely for
this film, Mark Hammill, and the Emperor bring us back to the future. Hammill and Palpatine now fight a mind game
from afar without interacting at all. Of
course ol’ Palpatine always looked like a 74 - 75 year old man, and the actor
actually is nowadays, McDiarmid having been born in August of 1944. So the
crunchy old electrically powered curmudgeon is now the real deal. Good!
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How many times can you blow up planets and death
stars and battleships over 11 films? The
Ron Howard Solo: A Star Wars project was decent enough, one of its main
problems was that it didn’t fit into the original Star Wars story as Rogue One
did. Oh the filmmakers thought the back-story on
Han Solo integrated well, but as I’ve mentioned, people want what they want,
and they want Harrison Ford, not someone else playing the part.
The Rise of Skywalker starts off with a raging
battle, which is the new science fiction formula. From the Avengers to the
Matrix, start off with a bang is what this new generation wants. The Force Awakens began the same way, only in
an extremely violent way. But rather than color by the numbers, which director
Abrams did with Force Awakens, Rise of Skywalker is about closing the book in a
way that doesn’t insult the original three films. In that regard it succeeds.
From this fan’s perspective, play Rogue One, Star
Wars, Empire Strikes Back, Return of the Jedi, Force Awakens and Rise of
Skywalker in order…you don’t need The Last Jedi, nor do you need the Solo: A
Star Wars Story. Force Awakens is almost an afterthought, but necessary to
introduce the new characters. J.J.
Abrams, however, does utilize the Matrix formula of pulling scenes from other
films – dusted off, of course, into the new cake mix, different enough to give
you your money’s worth. Moments from
Avatar become so obvious…hey, if James Cameron’s going to take his sweet time
with the barrel full of sequels, “give the people what they want.” Matrix moments also infiltrate as an
undercurrent. The “feel” of other
blockbusters (back to 1927’s Metropolis) is the order of the day. It will go right over viewer’s heads, and
that’s what Disney/Lucas is counting on.
The two elements so necessary for a perennial
favorite – what made The Wizard of Oz and Star Trek – and the Beatles and …(you
get the picture) – so endearing are what the Beach Boys sing about - “Heroes and Villains.” Emperor Palpatine and Darth Vader are two of
the greatest villains in motion picture history, right up there with the Wicked
Witch of the West. And that other element is the Tin Woodsman, Aunty Em, the
Wizard, Dorothy, the Scarecrow, the Cowardly Lion. Princess Leia, Luke Skywalker, Han Solo,
Lando Calrissian, Obe Won Kenobi – all part of the fabric of your memories of
this film series.
J.J. Abrams got it right bringing Max Von Sydow
onboard for The Force Awakens. Killing
him off so quickly was Disney’s fall into “the dark side.” Sydow was perfect as an Alec Guinness
character this series so desperately needed. The contrast that Guinness brought to Vader – well,
they had it and they punted.
Resurrect
Senator Lloyd Bentsen from the grave like Emperor Palpatine and he will say to Andy
Serkis and Adam Driver “I knew Emperor Palpatine and Darth Vader. They were friends of mine. And You Ain’t No
Darth Vader!” Snopes and Kylo Ren merely
watered down emperor, watered down Vader.
Is this Rise of Skywalker or Rise of the Planet of the Apes? So much crossover from Serkis to Abrams one
gets dizzy connecting all the dots.
It’s the great villain that makes a great motion
picture, and a counterpoint – the beloved team: the Fantastic Four, the
Avengers, Luke, Princess Leia, Lando Calrissian, Han Solo…that old axiom “the
original is still the greatest” rings true.
The Rise of Skywalker goes back to the future to end this part of the
saga. And all it really needed was Darth
Vader to bring it full circle. That was
so obvious.
In 2009 when Abrams rebooted Star Trek he put Mr. Spock
smack dab in the middle of it. He took a
talented actor like Eric Bana and gave him a substandard villain role to play. That is what damaged the Star Trek reboot so
severely. So Abrams put his mark on
both Star Trek and Star Wars and as my old aunty would say “Could’ve done
better….could have done worse.” Which is
why the similarities appear and are so blatant. And Abrams played it too cute
with both franchises. It is the
introducing of Star Trek: The Next Generation into the Star Wars legacy which
warps the concept – almost at warp speed.
All that being said am I satisfied with this
film? Well, I will watch it again…and again…and that’s something I’m not doing
with Solo: A Star Wars Film, or even the rebooted Star Trek. Bringing the original characters back and
having enough dynamic moments that are new, different and exciting is what makes
Rise of Skywalker work.
The question now is: can they make a new Star Wars
film that surpasses the original trilogy?
Given that the good-looking new cast relies more on their youthful
appearances than any qualities that endear them to us, some serious character
development is in order. Remember how
awful decent actors like Natalie Portman and Hayden Christensen looked? The Scarlet Letter on them both for wooden,
terrible performances in one of the greatest film franchises of all time! Lucas overlooked personalities the audience
could relate to in order to play with all his dazzling special effects. Turn the audio off and just watch those three
“prequels” to see the visuals!
With the past still haunting these continuing
episodes of this serial saga, character
development for the newbies is going to be an uphill battle. Dailey Ridley and Oscar Isaac (who is now 40)
play their parts well. But you don’t get that Luke, Leia, Han, Lando, R2-D2,
Chewbacca magic, do you? The presence of
the original cast is what makes The Rise of Skywalker a winner. Emperor Palpatine’s return is the magic
missing from the previous two films.
Darth Vader would be the frosting on the cake. Guess J.J. left him out in the pasture with
Max Von Sydow. That’s too bad, but the
Rise of Skywalker is still good enough to be in the top tier of Star Wars films
as in, it makes a good bookend to the saga.
Three stars.
THE FORCE AWAKENS
review by Joe Viglione
Star Wars fans will be relieved that The Force Awakens is better than 1999’s The Phantom Menace, 2002’s Attack of the Clones and 2005’s Revenge of the Sith, but falls somewhere in-between those stories and 1983’s Return of the Jedi, 1980’s The Empire Strikes Back and, of course, 1977’s Star Wars.
2015 seems a lot longer than the decade from Sith vengeance to this reawakening, especially when 16 years came between Return of the Jedi and The Phantom Menace.
Opening with extreme violence, The Force Awakens teases with dashes of the 1977 original epic spliced into the script along with new characters making their debut in the Star Wars universe. A new face like Oscar Isaac as Poe Dameron makes the grade as does Billie Lourd – daughter of Carrie Fisher (herself the daughter of pop singer Eddie Fisher and his first wife, Debbie Reynolds) and Fisher’s ex-boyfriend, talent agent Bryan Lourd (who left Princess Leia Fisher for another man! Such scandal!!! that would spice up this Force Awakens, but I digress…) and perhaps the very best new edition, Lupita Nyong’o as Maz Kanata – a fun character that we hope returns in the next films. Oh, and lest we forget the BB-8 droid, also lots of fun.
So how does Abrams bring it all full circle thirty eight years after Star Wars first hit our collective consciousness?
How about Jesus from 1965’s The Greatest Story Ever Told who morphed into 007’s major enemy Blofeld from Sean Connery’s own Never Say Never Again(1983) ( as well as Dr. Paul Novotny in 1984’s underrated Dreamscape,) the brilliant Max Von Sydow bringing that Alec Guinness-styled wisdom and class to the film’s opening. A great move that J.J.Abrams failed to sustain throughout this chapter. What the director gives the people is what they want, the familiar exciting lightsabers and death rays.
Carrie Fisher, Harrison Ford, R2-D2, cp30 Chewbacca and Mark Hamill all make the most of their appearances. That they aren’t given a higher profile (except for Ford,) is to the film’s detriment.
Abrams decides to dig into the series he said he never got into, Star Trek, the safety net to merge audiences and get into science fiction lore (as if the Star Wars series actually needed such a stunt). See the May 22, 2015 TMRZoo Barry Silverman article: “also admitted to …not getting…” the original series growing up, as it was “too philosophical for me”.
Take some imagery from 1989’s Star Trek misfire The Final Frontier, lots and lots from 1984’s great The Search For Spock, the crash landing from 1994’s Star Trek: Generations and so much more from Search For Spock – from the beautiful red hues of planet Vulcan to Mark Hamill’s wardrobe that makes this – truly – more The Search for Luke than “the force awakens.” If you had any thought that J.J. Reboot, immersed in Gene Rodenberry and George Lucas, was going to go brand spanking new on us, those ideas will be cast aside as the film progresses from action scene to action scene, keeping the action ahead of the story so that it doesn’t get trapped into any “Clone of the Phantom Sith.”
With the immense hype and propaganda leading up to this event, even this long-time critic – my first reviews printed in 1969 – has jumped onto this new Star Wars bandwagon (it would be foolish not to,) the build up so intense that, well, it makes for a mighty bar for any film to reach. If you’re looking for the Star Wars Holy Grail, well… though there are many excellent moments and tremendous sets, it’s simply not here. What is here is a reuniting of old friends and beloved characters, coming back to your life in a precise exercise in making an entertaining two hour and fifteen minute return to the Star Wars realm. Certainly more satisfying that 1997’s Star Wars: Ewoks-The Haunted Village.
THE DARK FORCE AWAKENS
Andy Serkis gets to play so many cool characters – from Caesar in Rise of the Planet of the Apes and Dawn of the Planet of the Apes as well as long-time Marvel Comics villain Klaw in Avengers: Age of Ultron and also the voice of Gollum in 2001’s The Lord of the Rings: The Fellowship of the Ring. Here he plays a terrific evilmaniac with the worst name since Jar Jar Binks – Supreme Leader Snoke. Now had Jar Jar been voiced by Zsa Zsa Gabor …creating Jah Jah Binks – all would be right with the world, but I digress again. Here Snokes/Serkis has the luxury of some of the best science fiction sets in Sci-fi history. Abrams does embrace the wonderment of having a large, vast expanse (one of the highlights of the Tom Cruise flick Oblivion) and the breathtaking immensity of these wombs of the dark side are a huge plus for this film, bringing it more towards the first three, where it belongs, than the travesty that followed with that trio of Star Wars prequels from 1999-2005. Serkis doesn’t disappoint as the menacing new heir to the throne of dark Emperor Palpatine.
Given the importance to hundreds of millions – if not more than a billion people on this planet – of Star Wars fans, this long overdue “Chapter 7” – as stated – plays it safe, it is both a reboot of past achievements and a prologue to the new adventures. Hollywood being Hollywood, and the dollar being more important than new creative moments and intriguing advanced innovation, the pace of the awakening of The Force thrusts 1999’s The Phantom Menace back into the dark ages, as if it never existed. Thankfully.
Dangling so many goodies in front of the massive audience, this reboot is merely a prologue to what is yet to come. Disney must be on notice. With 42 year old Rian Johnson taking the director’s chair from the reboot master, JJ Abrams, 2017’s Episode VIII has the opportunity to be the place where the force truly awakens. This Chapter VII is merely the placeholder putting everything back into its “new order.”
Club Bohemia Rocks December!
On New Year's Eve - Publicist sings Lou Reed
Denny Dias of Steely Dan and John Morelli of Cyndi Lauper's Blue Angel
This year the band is Mike Quirk, Kenneth Highland, Lady Carolyn, John Keegan and more!
Twenty Years after our Lou Reed show in Paradise.
______________________________________________________________________
2:44 pm 12/15/19
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Club Bohemia Supports Regional Music!
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UPCOMING DATES:
Fri Dec 20 DEEP HOUSE
Sat Dec 21 Fat Togue Holiday Party
Tues Dec 31
Andy Pratt, Kenneth Highland, Count Viglione Love & Flame, Club Linehan,
Frank Rowe Duo with Leon Rich
Scott Vallee and the Dollmakers
The Larry Lifeless Band
Jan 10 Mad Painter Presents
Mad Painter returns to Club Bohemia in Cambridge.
8:00 PM The N Connection
9:00 PM The Rollo Tomasi Quintet
10:00 PM Mad Painter
11:00 PM Soaked In Strange
8:00 PM The N Connection
9:00 PM The Rollo Tomasi Quintet
10:00 PM Mad Painter
11:00 PM Soaked In Strange
Jan 11 Johnny Sahula on Saturday
Jan 24 Fat Togue Music
Feb 14
Bazmati Vice
Memphous
Feb 28
Blue Manic
Scuzzy Yeti
March 15
Pavolve Dog
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This week!
--Friday Dec 20, 2019
DEEP HOUSE
DEEP HOUSE
|
December 21 SATURDAY
Its the annual Fat Togue holiday party.
Featuring:
Black Helicopter
Blood Built EmpireAbove the DinNorth Star the Wanderer
Its the annual Fat Togue holiday party.
Featuring:
Black Helicopter
Blood Built EmpireAbove the DinNorth Star the Wanderer
DECEMBER 21
FAT TOGUE MUSIC
EVENT PAGE
FAT TOGUE HOLIDAY PARTY
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DECEMBER 31, 2019
RING IN THE NEW YEAR WITH US
FREE ADMISSION
SERIOUSLY, I WANTED A $25.00 TICKET AND SURE WE COULD SELL IT OUT, BUT THE CLUB WANTS TO THANK EVERYONE FOR SUPPORTING BOHEMIA SO THE DOORS ARE OPEN FOR FREE!
Andy Pratt 12:15 am
Kenne Highland 11 pm- Midnight
Lou Reed Tribute 10 pm
with Love and Flame
Count Joe Viglione, Lady Carolyn
FREDDY MERCURY COPPED MY LOOK!
JOE VIGLIONE LIVE IN PARADISE, BLOWFISH GUITAR
DECEMBER 2, 1978 - 41 YEARS AGO
PHOTO BY JEANNIE ARCHIBALD
9 pm Club Linehan A Go Go
featuring Lady Carolyn, formerly of
Black Sheep in the Family!
featuring Lady Carolyn, formerly of
Black Sheep in the Family!
8 PM Frank Rowe/Leon Rich
ok lineup. Leon Rich/Frank Rowe/Club Linehan-ago-go/ Love and Flame/Kenne Highland/Andy Pratt. Lou Year's Eve. Thank you for event pages! Dream Teamwork,I like it! like Patriots football
Directions to the club
DIRECTIONS TO CLUB BOHEMIA IN CENTRAL SQ at the CANTAB,
738 Massachusetts Ave, Cambridge, MA 02139 tel: (617)354 2685
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TRIP ADVISOR
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After New Year's Party with Scott Vallee and the Dollmakers on Friday January 3, 2020
https://www.facebook.com/valleerock/
Reverb Nation!
https://www.reverbnation.com/scottvalleeandthedollmakers
Ruthless Black Metal is the order of the day on the new e.p., Victim of the Cross from Scott Vallee and the Dollmakers. The tour-de-force aggression rocks your ears and speakers with devlish delight saturated with guitar master Tony Iommi undercurrents.
The title track is two minutes and seventeen seconds of crunching refined mayhem with Vallee snarling at Satan while singer Vallee and axe man Mike hit you with their vocal and guitar attack. Andrew and Josh on bass and drums respectively collude with the dark forces of the underworld churning a bottom that works in unison with the layers of guitar.
Not for the timid, "The Holy Ghost" will have the born again movement protesting - even Ozzy and Black Sabbath didn't venture this far into the depths of hell. "I Lose Reality" lyrics appear to be notes from the insane asylum while "The Devil Wears High Heels" (on Reverb nation not the e.p.) will have preachers secretly dancing in their room with the receiver and hard drive reaching for decibel levels not yet known to man.
After New Year's Party with Scott Vallee and the Dollmakers on Friday January 3, 2020
https://www.facebook.com/valleerock/
Reverb Nation!
https://www.reverbnation.com/scottvalleeandthedollmakers
Ruthless Black Metal is the order of the day on the new e.p., Victim of the Cross from Scott Vallee and the Dollmakers. The tour-de-force aggression rocks your ears and speakers with devlish delight saturated with guitar master Tony Iommi undercurrents.
The title track is two minutes and seventeen seconds of crunching refined mayhem with Vallee snarling at Satan while singer Vallee and axe man Mike hit you with their vocal and guitar attack. Andrew and Josh on bass and drums respectively collude with the dark forces of the underworld churning a bottom that works in unison with the layers of guitar.
Not for the timid, "The Holy Ghost" will have the born again movement protesting - even Ozzy and Black Sabbath didn't venture this far into the depths of hell. "I Lose Reality" lyrics appear to be notes from the insane asylum while "The Devil Wears High Heels" (on Reverb nation not the e.p.) will have preachers secretly dancing in their room with the receiver and hard drive reaching for decibel levels not yet known to man.
Band Members
- Scott Vallee - Vocals
- Mike - Guitar
- Josh - Drums
- Andrew - Bass
Scott Vallee and the Dollmakers
The Larry Lifeless Band
https://www.facebook.com/events/1229098773959999/
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January 10, 2019 MAD PAINTER
Mad Painter returns to Club Bohemia in Cambridge.
8:00 PM The N Connection
9:00 PM The Rollo Tomasi Quintet
10:00 PM Mad Painter
11:00 PM Soaked In Strange
Soaked in Strange
https://www.facebook.com/soakedinstrange/
Rollo Tomasi Quartet
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Johnny Sahula on Saturday January 11th
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January 24 Fat Togue Music Presents
Mourn The Light
https://www.facebook.com/MournTheLight/
More TBA
event page
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FEBRUARY 2-29-20
The Bamboo Steamers
Sedagive
The Montgomerys
photo SEDAGIVE
Sedagive review: Sedagive is a band that plays Western, Mass, and they are looking to come our way. George Lenides sent me the Spotify and it knocked me out, instantly, which doesn’t happen often. Power pop, Pop Rock, Sunshine Pop? Sedagive has all the elements! The song “Massachusetts” opens up the 5 song e.p. entitled SUMMERS OVER (no apostrophe on summer’s) – so here’s a Tiny URL https://tinyurl.com/sedagivemusic check it out. “Massachusetts” has flavors of Bob Lind, sixties star whose birthday is Nov. 25, day I’m writing this. “Flowers” follows, and it’s upbeat, bright and rocks smoothly…with delicate and elegant musicianship and vocals. “Nine” also has the sparkling guitars, a “Girl from Ipanema” feel with vocals out of Pere Ubu or Psychedelic Furs, but just a touch, more pop than new wave…delightful. “Little Angel” goes to more hard-driving Beatles by way of the Seeds or Paul Revere & The Raiders…these guys know how to change rock genres in an instant…and, no, “This Girl” is not an answer to John, Paul, George and Ringo’s “This Boy” – I can’t place my finger on the influences at this moment, listened last night too and can’t figure it out, but it is highly listenable and worth your attention…reminds me of how great the music of Steve Dennis is, so let’s go there. https://thesomervillenewsweekly.blog/2019/11/26/hotline-to-the-underground-week-6-by-joe-viglione/
kenne highland presents
Lou
Years
Eve
photo SEDAGIVE
SEDAGIVE - the band
|
Sedagive review: Sedagive is a band that plays Western, Mass, and they are looking to come our way. George Lenides sent me the Spotify and it knocked me out, instantly, which doesn’t happen often. Power pop, Pop Rock, Sunshine Pop? Sedagive has all the elements! The song “Massachusetts” opens up the 5 song e.p. entitled SUMMERS OVER (no apostrophe on summer’s) – so here’s a Tiny URL https://tinyurl.com/sedagivemusic check it out. “Massachusetts” has flavors of Bob Lind, sixties star whose birthday is Nov. 25, day I’m writing this. “Flowers” follows, and it’s upbeat, bright and rocks smoothly…with delicate and elegant musicianship and vocals. “Nine” also has the sparkling guitars, a “Girl from Ipanema” feel with vocals out of Pere Ubu or Psychedelic Furs, but just a touch, more pop than new wave…delightful. “Little Angel” goes to more hard-driving Beatles by way of the Seeds or Paul Revere & The Raiders…these guys know how to change rock genres in an instant…and, no, “This Girl” is not an answer to John, Paul, George and Ringo’s “This Boy” – I can’t place my finger on the influences at this moment, listened last night too and can’t figure it out, but it is highly listenable and worth your attention…reminds me of how great the music of Steve Dennis is, so let’s go there. https://thesomervillenewsweekly.blog/2019/11/26/hotline-to-the-underground-week-6-by-joe-viglione/
kenne highland presents
Lou
Years
Eve
LOU YEAR'S EVE
Andy Pratt 12:15 am
Kenne Highland 11 pm- Midnight
Lou Reed Tribute 10 pm
with Love and Flame
Count Joe Viglione, Lady Carolyn
9 pm Club Linehan A Go Go
8 PM Frank Rowe/Leon Rich
ok lineup. Leon Rich/Frank Rowe/Club Linehan-ago-go/ Love and Flame/Kenne Highland/Andy Pratt. Lou Year's Eve. Thank you for event pages! Dream Teamwork,I like it! like Patriots football
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Valentines Day February 14, 2020
Bazmati Vice
Memphous
https://www.facebook.com/bazmativice/
MEMPHOUS
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February 28
BLUE MANIC, SCUZZY YETI
Heavy rock at a Cambridge institution. Featuring:
Scuzzy Yeti
Much more TBA
https://www.facebook.com/events/489416971681514/?notif_t=event_calendar_create¬if_id=1576434378287055
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March 15
Science Fair
Pavlov's Dog
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THEN YOU CAN DECOMPRESS
ON SATURDAY WITH
A BENEFIT CONCERT
DECEMBER 14, 2019
1) Knowgrass (no media) - 8:00
2) WMS All-Stars (no media) - 9:00
3) Louder Than Milk - 10:00
It's
a benefit show ($10) to raise money for a tutoring program for the kids
who live in subsidized housing at our middle school.
Playing at the Cantab / Club Bohemia puts you in the
New England Rock and Roll History Book!
join us on Twitter:
Club Bohemia https://twitter.com/clubbohemia
Joe Viglione https://twitter.com/JoeViglione
Each
artist performing at Cantab and Club Bohemia, including the three Open
Mic nights, should be twittering the event repeatedly up to showtime!
Thank you for helping spread the word.
Twitter Guide
From Mickey Bliss
attention: ALL BANDS AND PERFORMERS
Load-in on Thursdays: 7 PM
Load in on Fridays: 8 PM
Load in on Saturdays 8 PM
Please be advised that absolutely no load-in will be allowed prior to
the above-scheduled times unless advance authorization is obtained
from Mickey Bliss.
Failure to follow this directive may result in having your club date cancelled.
THANK YOU
________________________________________________________
Mickey Bliss
attention: ALL BANDS AND PERFORMERS
Load-in on Thursdays: 7 PM
Load in on Fridays: 8 PM
Load in on Saturdays 8 PM
Please be advised that absolutely no load-in will be allowed prior to
the above-scheduled times unless advance authorization is obtained
from Mickey Bliss.
Failure to follow this directive may result in having your club date cancelled.
THANK YOU
For Bookings - 617 482 4920
How to reach the club manager, Mickey Bliss:
Club Bohemia *NEW ADDRESS! for correspondence and press kits.
Hitman Records/Club Bohemia
c/o. Mickey Bliss
151 Tremont Street, Suite 110
Box #374
Boston, MA 02111-1151
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STATS
3:15 pm Dec 15
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9:07 pm 12/14/19
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9:24 pm Friday the 13th, December 2019
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