Monday, October 26, 2020

Steven Mark Talks About The Long Goodbye

 


Steven Mark - EP The Long Goodbye

Singer/Songwriter, Indie Alternative Folk Rock

 

Interview conducted by Joe Viglione

www.joeviglione.com

 

Q: Steven, when did you get the idea for The Long Goodbye?

 

A: I started writing the five songs with no intention of recording them. I was just enjoying writing, playing and singing the material. After I did a live show last October that featured the songs, I had the desire to record again. The name The Long Goodbye seemed like a natural name for the album, as most of the songs touch on that theme either in their lyrics or in the inspiration of the song. 

 

Q: One Small Room found release in 2009.  Has it been 11 years between albums?  If so, what did you do in the meantime? - gigs?  Any live recording?

 

A: If has been 11 years. Frankly, I didn’t think I’d be recording again. I thought that chapter in my life had reached completion. I’ve been focused on other things. Helping care for a sick parent, enjoying the last years I had with my dog. Just enjoying New York City and my life. 

 

Q:Distraction was 2004...did you release a song or an e.p. prior to Distraction?

 

A: No. Distraction was the first. I saw all those songs as living together and wanted them all on the same album. 

 

Q: One Small Room in 2009 contained 11 tracks,   2007's Racing Gray ad 13, 2005's Aloneaphobe had 14 tracks and Distraction from 2004 offered 12 songs but in 2020 you have 5 songs on The Long Goodbye.   I think it is smart to have fewer songs in an era when there is so much free music on Soundcloud, YouTube and so many other platforms.  What was your impulse to release an E.P. rather than a full length?

 

A: Laziness combined with a rush to get something out there. While I have other melodies in my head, these were the five that were completed and they represent a certain chapter in my life after I lost my dog and began dating again. These five songs fit together and then with the pandemic, I just wanted to get them out there and not wait to finish the others that I’m playing with

 

Q: How did the song "Under Water" come about?

 

A: I hadn’t played piano or guitar in a long while. After my dog passed away, I brought my keyboard back out mostly just to play other people’s songs. One night, I started playing that chord progression and started thinking about what the next chapter of my life might have in store, and that’s when the lyrics started to come. 

 

Q:"Cloudy" has terrific musicianship.  Who recorded this project and how many musicians are on it?

 

A: Thanks. The whole album was recorded remotely because of the pandemic. I was in New York. My long-time friend and producer was in Portland where he lives. And the violinist and cellist were both also in NYC but in different locations. 

 

Q:Were songs like "High from You" written contemporaneous with the other four titles on The Long Goodbye or are these compositions from the past eleven years...or even before that?

 

A: All these songs were written during this chapter of my life. I like to work that way. I see the albums as representing a time period. And I also like to put them on the albums in the order they came out of me, except times when I know a certain track feels like the opener or the closer. 

 

Q:What is the theme of "Lift the Burden?"

 

A: Lift The Burden was written as a love song for a friend that I cared for. She was going through a loss, and I was trying to let her know I’d be there for her. But I think thematically, it extends beyond that as it’s mostly about dealing with loss and getting through it together. So while it was written nearly a year before we all faced the hardships of this pandemic, I think it does touch on this sense of loss so many of us are feeling right now. 

 

Q:Please describe - and some of our artists don't want to give away the secret sauce, so only if you want - what "Sugar Butterfly" is about?

 

A: There was a woman very dear to me. We weren’t a great long term fit, but we were very close and always pushed each other in good ways. She was a big believer in the songs I was writing and she always asked me to write one for her. So after we parted ways, I wrote this song. She’s sweet like sugar and flew off like a butterfly so that’s what led to the title. 

 

Q:Where do you see The Long Goodbye fitting in during the strange times that are 2020 - internet radio, college radio, television?

 

A: Like I said earlier, while all of the songs were written long before the pandemic, I think they all touch on themes relevant to 2020, themes like loss, isolation, loneliness and mortality. 

 

Q:Do you intent to perform live when the clubs reopen?  And are you doing any virtual performances on line?

 

A: The last show I did that inspired me to record again was at a legendary club in the West Village called The Bitter End. So many of my heroes and influences played there back in the day, so when the time comes, I’d like to perform there again. And if an opportunity to perform online arises, I’m open to it. 

 

Q:When do you think the world will see a follow-up to The Long Goodbye?

 

A:No idea. If I have song I want to record, maybe I’d put out a single. Or if I  have a few that would form a strong EP, I’m open to that. It has to come from a love of doing it and a love of the songs. 

 

Thank you for your time, Steven.

 

 


 

Steven Mark on Social Media:

Twitter

https://twitter.com/StevenMarkMusic

Facenppl

https://www.facebook.com/steve.doppelt

Spotify

https://open.spotify.com/artist/1gnncEISCDceyRHodU6gEd?si=EIUDN6UCSdinI2WI_BSlJw

Bandcamp

https://stevenmark1.bandcamp.com/album/the-long-goodbye

Saturday, October 24, 2020

Classic John Kongos LP

 299, 800 ALL-TIME VIEWS as of 9:51 pm Sunday October 25, 2020


 

https://www.allmusic.com/album/kongos-mw0000331613 

 

AllMusic Review by   [-]

This classic 1972 album on Elektra by John Kongos has Queen/Cars director Roy Thomas Baker remixing superb production by Gus Dudgeon, the man who created many an Elton John hit. Elton sidemen Ray Cooper, Caleb Quaye, Dave Glover, Roger Pope, Sue (Glover) and Sunny (Leslie) -- pretty much the crew from John's 1971 epic Madman Across the Water -- are all excellent here. But this album has more to offer than the solo records by Kiki Dee and Bernie Taupin, which also proliferated around the same time. Though he never made it to Joel Whitburn's Billboard Book of Top 40 Hits in the U.S.A., there were three minor splashes on this disc: "Tokoloshe Man," "Jubilee Cloud," and "He's Gonna Step on You Again." The totally original sound -- producer Dudgeon on "asses jawbone," bicycle bell, maracas, and Mike Noble playing the "clapper board" -- build a texture one didn't hear on Elton John records. Highly experimental, the brilliant piano and guitar by Quaye invigorate "Jubilee Cloud," which can only be described as psychedelic gospel. Not only a gospel feel, the mysterious Sue and Sonny personify a church choir next to Mike Moran's ARP Synthesizer. There are lots of Jesus references throughout the disc, and on the heavily Beatles-influenced "Come on Down Jesus" with brass and Ray Cooper's tambourine, one gets the message that Kongos is a Jesus freak. This record sounds like a party -- a bunch of hippies on some Indian reservation at sunset. The album cover giving hints to what is transpiring on the grooves. Some of the themes Bernie Taupin flavored the Elton John "Country Comfort" song with are here, but the singer embraces them in a different way. Kongos sounds like a sincere Billy Joel on "Gold," and a cross between Elton and Joel on "I Would Have Had a Good Time." But as good as those tracks are, it is the energy of "Tokoloshe Man," the ecstasy of "Jubilee Cloud," and the insanity of "He's Gonna Step on You Again" that make this album timeless. Producer Gus Dudgeon plays "chair squeak," "rusty tin," and "earth drums" on "Step on You," John Kongos adding castanets, creating a Phil Spector stereo nightmare, which is simply gorgeous. The album has been re-released in different versions; a German CD contains eight bonus tracks and a U.K. collection has five additional songs. Magical music that one does not get to experience often.

 

www.JoeVigTop40.com



 https://rockjournalistjoevig.blogspot.com/2008/01/

Happy Birthday Virginia MacNaughton - Review of one of her discs

 

 

________________________


 
Happy Birthday Virginia MacNaughton:
It's 10:51 PM on Friday night, January 25th, 2008...just left a message for producer Rob Fraboni re: Virginia MacNaughton's 2003 disc, "Levers, Pulleys & Engines"...boy is this disc special. It sets a mood by opening up with 4:57 minutes of a dreamy "Essentially Grey" - "Time and space have taught me to be patient..."...picture Kraftwerk backing up Norah or Rikki Lee Jones - the Jones Sisters...a sweeping arrangement and devoted vocals with cosmic guitars erupting underneath...this is special stuff...will have to email Fraboni...answer the phone, man...Track 10 (you know computers, always in shuffle mode), "Shadow Me", 6:05 of something that sounds like an answer to John Lennon's "Plastic Ono Band" album...an album I adore...this is very different from track 1, and the piano/drum combo is played to perfection...at 11:33 PM track 4 "Anonymous" has totally captivated me! https://rockjournalistjoevig.blogspot.com/2008/01/

Tuesday, October 20, 2020

October 2020 Club Bohemia Artist of the Month G A V I I F O R M E S

  •  All Time page views 299,573 = four hundred and twenty seven to 300,000 views! @ 7:54 pm
  • 4,195 visits in the past 51 days!  as of October 21, 2020

  

YouTube  Gaviiformes TV
The Weather
https://youtu.be/-STMSyhqEQo
98° and sunny on the Richmond Street roof, North End Boston. Mangia!

Facebook:
https://www.facebook.com/gaviiformesband/  

Instagram
https://www.instagram.com/gaviiformes/

Spotify
https://open.spotify.com/artist/2nZYQOYCYanKbhKTNnunP2

Gaviiformes TV on YouTube
https://www.youtube.com/channel/UCgnOWYHy3PMxtR4S-KeFcMw/about

___________________


 

Q: Is the name Gaviiformes "tunes for loons" a tribute to The Byrds? 


A: It’s not although Brian is a big Byrds fan. We have John to thank and blame for our name. He thought of it while on a boat in NH. It’s the Latin name for a loon and we think loons are cool. They’re really beautiful birds. Elegant. Make cool noises. 


Q: Who is in the band and when did it form?


A: Matt (me), John, Brian, and Ryan. The band with the four of us formed sometime in 2018. I sing and play bass, John plays guitar, Brian plays guitar and sings, and Rhino holds it all together on drums. 

Matt, John, Brian and Ryan of GAVIIFORMES

__________________________________________


Q; The Weather is catchy and well produced.  Who wrote the song and where was it recorded?

 

The Weather

https://youtu.be/-STMSyhqEQo


A: Thank you! I wrote that song. It came together fairly quickly. I was thinking of “I Should’ve Known Better” by the Beatles and it just morphed from there. The guys all wrote the parts they play on it including a cool guitar line in the verses from John that really elevates the song. We produced and recorded it ourselves on the roof of Brian's old apartment in the North End. It was a hot day 98 degrees in August.



Q:"Patricia" on Spotify is a lot more hard-rocking than "The Weather" - are they from the same session?


A: Thanks yea we love that song. Patricia was a separate session done in 2019 with our good friend Josh. If anyone reading this is looking for someone to record their music, Josh Gold in Malden is the man. Super knowledgeable, super patient, cool dude. 


Q:Who writes the songs in the band?


A: No one person writes the songs. A new song can come about in a variety of ways whether it be something I write, a chord progression from Brian, or a riff from John. It’s typically a very collaborative effort where everyone has their hands on the creative process. 


Q:The influences seem to range from Velvet Underground to R.E.M. and the Band, which artists does this group like to listen to?


A: Wow thank you. We all love those artists you just named. Individually each of us listens to so much different music it’d be insane try and sum up but the point where the four of us come together is with blues based guitar music like 60’s and 70’s rock. Brian’s an indie rock guy, John likes folk music, Ryan and I are punkers. 


Q:"Goose" is unique, fading out on rock and roll Celtic ...more affinity with birds?


A: Haha thanks. So the story with Goose is, I was watching an old Red Sox highlight on Youtube and saw this pitcher on the other team striking everyone out on fastballs. He had a handlebar mustache and cool nickname Goose (Goose Gossage) I thought that was pretty cool so I wrote a song about it and thought it would funny to sing it in a real deep voice. John wrote the chord progressions and we all filled in our parts. It’s a fun song great to play live. 



Q:"Spank" sounds like a son of "Voodoo Chile" in the form of a march.


A: Haha thanks. Just the fact that you’ve mentioned one of our songs in the same breadth as one the coolest songs ever means we’ve made it as far as I’m concerned. Hendrix and Winwood does it get any better? I’ve crushed many a six pack jamming to that song. Spank is cool but its no Voodoo Chile. Spank is fun its dancey and funky, its got a cool groove. Maybe someday we’ll do it again and ill write better lyrics! Haha 


Q:What are the future plans in 2021 once the world emerges from the pandemic?


A: In 2021 we plan to have our first full length album out and be playing the songs in bars, clubs, and backyards all over New England. Right now we are working on fifteen or so new songs of original material and converting the space where we jam into a music studio. The plan is to self produce this album and record it mostly live off the floor like how rock records used to be made. Its been a challenge learning production techniques and all the different nuances, much less writing the actual songs but it’s definitely a labor of love and we could not be more excited to share this stuff with everyone.


Q:Anything else you'd like to say to the readers of ClubBohemia.club?


A: Keep supporting local artists, stay safe and we will see you soon! 



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